NICHOLAS POUSSIN.
97
Ancient History.
than the preceding, and was perhaps intended as a companion,
as they were both painted for Cardinal Barberini. The former
was presented by him to the Prince d’Echemberg, then Am-
bassador at Rome, from the Court of Vienna; and this picture
was many years in the possession of La Duchesse d’Aiguillon,
from whom it passed into the cabinet of M. de Saintot.
181. Roman Charity. This affecting instance of filial
affection, is represented by a beautiful young woman, who
appears to be seated, bending forward, administering to her
aged and famishing father nourishment from her breast.
The face, seen in a profile, exhibits signs of apprehension,
and the old man supports himself by placing one hand on her
shoulder. Half-length figures. Engraved by J. Pesne.
VOL. V1IT.
97
Ancient History.
than the preceding, and was perhaps intended as a companion,
as they were both painted for Cardinal Barberini. The former
was presented by him to the Prince d’Echemberg, then Am-
bassador at Rome, from the Court of Vienna; and this picture
was many years in the possession of La Duchesse d’Aiguillon,
from whom it passed into the cabinet of M. de Saintot.
181. Roman Charity. This affecting instance of filial
affection, is represented by a beautiful young woman, who
appears to be seated, bending forward, administering to her
aged and famishing father nourishment from her breast.
The face, seen in a profile, exhibits signs of apprehension,
and the old man supports himself by placing one hand on her
shoulder. Half-length figures. Engraved by J. Pesne.
VOL. V1IT.