240
CLAUDE LORRAINE.
Landscapes.
side the view extends over an open country, in the most distant
part of which may be discerned a river. This most admirable
production was painted for a gentleman at Paris, in 1645.—
See also Nos. 100 and 163.
3/Z. 4 in. by 4/l 5 in.—C.
Purchased of the son of the late J. Julius Angerstein, Esq., for the
National Gallery. Worth 2500 gs.
92- Mercury stealing the Herds of Admetus. On the right
of the fore-ground is seated the music-loving Apollo, en-
raptured with the sound of his own instrument; beyond him
is seen a river, crossed by a bridge composed of three arches;
beyond which stands a building with a high tower ; from
hence the eye looks over an open country, divided by a river.
On the left of the picture is the wily god, Mercury, driving
off the oxen of Admetus, towards a rocky bank, on which
grow several trees of varied foliage. Painted for the Prince
Panfilio. Engraved by Volpato.—See also Nos. 135 and 192.
Now in the Doria Palace.
93. A Herdsman instructing a Shepherdess to play on the
Pipe. A landscape, representing a delightful pastoral scene,
composed on the left of high cliffs, surmounted by a castle,
and having abundance of bushes growing around its sides.
A rustic bridge crosses a rivulet at the base of the rocks, the
stream of which flows along the extremity of the fore-ground,
bounded by high banks; from hence the eye looks over an
extensive campaign country to the distant hills; at the foot
of one of which may be discovered a town. Under the shade
of a tree and some bushes, on the right of the fore-ground,
is a young herdsman bending on his knee, teaching a woman
CLAUDE LORRAINE.
Landscapes.
side the view extends over an open country, in the most distant
part of which may be discerned a river. This most admirable
production was painted for a gentleman at Paris, in 1645.—
See also Nos. 100 and 163.
3/Z. 4 in. by 4/l 5 in.—C.
Purchased of the son of the late J. Julius Angerstein, Esq., for the
National Gallery. Worth 2500 gs.
92- Mercury stealing the Herds of Admetus. On the right
of the fore-ground is seated the music-loving Apollo, en-
raptured with the sound of his own instrument; beyond him
is seen a river, crossed by a bridge composed of three arches;
beyond which stands a building with a high tower ; from
hence the eye looks over an open country, divided by a river.
On the left of the picture is the wily god, Mercury, driving
off the oxen of Admetus, towards a rocky bank, on which
grow several trees of varied foliage. Painted for the Prince
Panfilio. Engraved by Volpato.—See also Nos. 135 and 192.
Now in the Doria Palace.
93. A Herdsman instructing a Shepherdess to play on the
Pipe. A landscape, representing a delightful pastoral scene,
composed on the left of high cliffs, surmounted by a castle,
and having abundance of bushes growing around its sides.
A rustic bridge crosses a rivulet at the base of the rocks, the
stream of which flows along the extremity of the fore-ground,
bounded by high banks; from hence the eye looks over an
extensive campaign country to the distant hills; at the foot
of one of which may be discovered a town. Under the shade
of a tree and some bushes, on the right of the fore-ground,
is a young herdsman bending on his knee, teaching a woman