244
CLAUDE LORRAINE.
Landscapes.
99. Apollo and the Cumaean Sybil. The view appears to be
taken on the coast of the Mediterranean sea. Its blue waters
extend over a large portion of the second distance. On the
right stands a lofty ruin of a castle, around the base of which;
and among fragments of the building, browse a number of cows,
sheep, and goats. Beyond an inlet of the sea, on the opposite
side, are the remains of edifices of some ancient city; from
hence is seen an island ; and still more remote, a second moun-
tain is visible. Near a cluster of slight trees in the centre of
the fore-ground, stands Apollo, clothed in a blue mantle, ad-
dressing himself to the Sybil, who is seated before him on a
fragment of architecture, many of which lie scattered over the
fore-ground. The general effect is that of a clear fresh morn-
ing. Painted for Monseigneur de Massimo. This once
exquisite work of art has been fatally robbed of its pristine
beauties, by some ignorant picture cleaner ; that which was at
one time worth 1500Z. or 2000Z., is reduced to the value of
500Z. Engraved in the Houghton Gallery.
3yZ. 3 in. by 4st. | in.—C.
Sold with the entire collection, to the Empress Catherine.
Now in the Palace of the Hermitage, at St. Petersburg!}.
100. Cephalus and Procris. The subject is introduced in
the fore-ground of a hilly and well wooded landscape; on the
right of which is the nymph Procris, lying at the foot of a
tree, transfixed with an arrow, while the lover, in an agony
of despair, is bending over her ; his dog is by his side, and a
stag is seen on the declivity of a hill beyond them.
1/L 3 in. by 1 ft. 7 Zn.—P.
The gift of Sir George Beaumont, Bart., with many other
fine pictures, to the National Gallery.
A picture representing the same subject as the preceding
is engraved by Browne.—Nee Nos. 91, and 163.
CLAUDE LORRAINE.
Landscapes.
99. Apollo and the Cumaean Sybil. The view appears to be
taken on the coast of the Mediterranean sea. Its blue waters
extend over a large portion of the second distance. On the
right stands a lofty ruin of a castle, around the base of which;
and among fragments of the building, browse a number of cows,
sheep, and goats. Beyond an inlet of the sea, on the opposite
side, are the remains of edifices of some ancient city; from
hence is seen an island ; and still more remote, a second moun-
tain is visible. Near a cluster of slight trees in the centre of
the fore-ground, stands Apollo, clothed in a blue mantle, ad-
dressing himself to the Sybil, who is seated before him on a
fragment of architecture, many of which lie scattered over the
fore-ground. The general effect is that of a clear fresh morn-
ing. Painted for Monseigneur de Massimo. This once
exquisite work of art has been fatally robbed of its pristine
beauties, by some ignorant picture cleaner ; that which was at
one time worth 1500Z. or 2000Z., is reduced to the value of
500Z. Engraved in the Houghton Gallery.
3yZ. 3 in. by 4st. | in.—C.
Sold with the entire collection, to the Empress Catherine.
Now in the Palace of the Hermitage, at St. Petersburg!}.
100. Cephalus and Procris. The subject is introduced in
the fore-ground of a hilly and well wooded landscape; on the
right of which is the nymph Procris, lying at the foot of a
tree, transfixed with an arrow, while the lover, in an agony
of despair, is bending over her ; his dog is by his side, and a
stag is seen on the declivity of a hill beyond them.
1/L 3 in. by 1 ft. 7 Zn.—P.
The gift of Sir George Beaumont, Bart., with many other
fine pictures, to the National Gallery.
A picture representing the same subject as the preceding
is engraved by Browne.—Nee Nos. 91, and 163.