368
CLAUDE LORRAINE.
Landscapes.
383. The Grotto of Neptune. A landscape representing, on
the left, an open country divided by a river, bounded by distant
hills. On the opposite side, the eye looks over a broken and
varied fore-ground to a mass of rocks, which extend to the
river side, and are abundantly clothed with trees and bushes,
and are traversed by an opening, through which is seen the
distant country. The scene is also distinguished by the in-
troduction of the Sybil's temple, standing among trees on an
eminence.
Collection anonymous (by Mr. Christie), . 1807. • ■ 410y,y.
384. The Artist studying from Nature. The view exhibits
the entrance of a sea-port town with its harbour, bounded by
a mountainous range of coast. In the absence of further
detail, the picture may be identisied by three figures intro-
duced in the fore-ground, one of which represents the painter,
who is seated drawing the surrounding scene. The same
subject occurs in Nos. 115, 130, 301, and 315.
Collection anonymous (by Mr. Christie), 1807. • • • 1995Z.
385. The Companion, styled “ Claude's favourite Mill."
The view is supposed to represent the country adjacent to the
Appennines, whose steep sides are delightfully clothed with
bushy trees, amidst which gushes a stream of water, which falls
foaming into a river beneath, and thence, gliding along the
fore-ground, imparts a verdant freshness to the surrounding
meadows, in which grow luxuriantly clusters of beautiful
trees. A bridge, composed of several arches, crosses a distant
part of the river.
Collection anonymous (by Mr. Christie), . 1807- • • ■ 840Z.
CLAUDE LORRAINE.
Landscapes.
383. The Grotto of Neptune. A landscape representing, on
the left, an open country divided by a river, bounded by distant
hills. On the opposite side, the eye looks over a broken and
varied fore-ground to a mass of rocks, which extend to the
river side, and are abundantly clothed with trees and bushes,
and are traversed by an opening, through which is seen the
distant country. The scene is also distinguished by the in-
troduction of the Sybil's temple, standing among trees on an
eminence.
Collection anonymous (by Mr. Christie), . 1807. • ■ 410y,y.
384. The Artist studying from Nature. The view exhibits
the entrance of a sea-port town with its harbour, bounded by
a mountainous range of coast. In the absence of further
detail, the picture may be identisied by three figures intro-
duced in the fore-ground, one of which represents the painter,
who is seated drawing the surrounding scene. The same
subject occurs in Nos. 115, 130, 301, and 315.
Collection anonymous (by Mr. Christie), 1807. • • • 1995Z.
385. The Companion, styled “ Claude's favourite Mill."
The view is supposed to represent the country adjacent to the
Appennines, whose steep sides are delightfully clothed with
bushy trees, amidst which gushes a stream of water, which falls
foaming into a river beneath, and thence, gliding along the
fore-ground, imparts a verdant freshness to the surrounding
meadows, in which grow luxuriantly clusters of beautiful
trees. A bridge, composed of several arches, crosses a distant
part of the river.
Collection anonymous (by Mr. Christie), . 1807- • • ■ 840Z.