Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Smith, John
A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Band 9): Supplement — London: Smith and Son, 1842

DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.62939#0216

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200 PHILIP WOUWERMANS.
traveller; and some distance off is a man ascending a hilly
road. Painted in a clear and silvery tone.
About 1 ft. 1 by 1st.—P.
In the Palace of the Hermitage, St. Petersburg. Worth 160/.

178. A Hawking Party, composed of four ladies, two gen-
tleman, and a dwarf attendant. Among them, and on the
right, may be noticed a gentleman on a restive grey horse,
blowing a horn, at the sound of which a lady on a piebald
horse is galloping towards him, raising at the same time her
hand to her face, and watching the evolutions of a hawk;
behind her are two other ladies mounted, followed by three
dogs, and attended by the dwarf. The remainder of the
party are a little retired on the left, and one of them, riding
a grey horse, is casting up the lure. This picture has become
a little too dark and foxey in tone ; it is otherwise admirably
painted.
1st. 31 by 1st. 11-P.
In the Palace of the Hermitage. Worth 200/.

179. Post Horses baiting. Engraved by Ozanne, under
the title of “ Les Relais Flamands.” See description, No.
391, Vol. i.
In the Palace of the Hermitage.

180. A Farrier shoeing a piebald Horse. Engraved by
Duret, under the title of “ Le Marechai de Campagne.”
See description, No. 393, Vol. I.
1 st- 1 by 1 st. 2|.—P.
Taken from the Louvre in 1815, and restored to the Public Gal-
lery, Hesse Cassel.
 
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