PETER PAUL RUBENS.
293
tance, with other minor variations. It is also signed P. P.
Rubens, 1614. This is doubtless the picture from which
C. Galle and Marinus engraved their prints. See also 860,
Vol. ii.
1st. 5 by \st. 9.—P.
In the Public Gallery at Hesse Cassel.
180. Christ on the Cross. See description, No. 393,
Vol. n. And read, engraved by Meysens.
In the Louvre.
181. The Rainbow. A landscape, exhibiting a moun-
tainous country, divided in the centre by a winding river,
crossed by a bridge, near which are several cottages. A
second bridge, composed of wood, is close to the front, and
a stream ripples under it in gurgling eddies. The figures
which embellish the scene, consist of a shepherd and shep-
herdess, who are standing together on the right of the fore-
ground ; on the farther side of them is seated a peasant at
the foot of a tree, with a pipe in his hands, which he appears
to have just ceased playing, and is looking up at a rainbow ;
a third peasant is reposing on the ground, resting his arm
on a brass can, and a shepherdess in a white and blue dress
sits by him. At some distance osf on the left is a large
ssock of sheep, and a few goats browsing on a sloping bank.
The appearance of a recent shower pervades the surrounding
scene. This picture nearly corresponds with No. 400, Vol. II.
2# 8| by 4,£. 1|.—P.
In the Palace of the Hermitage, St. Petersburg.
182. Christ, accompanied by three of his disciples, meet-
ing Mary the brother of Lazarus at the entrance of the gate
293
tance, with other minor variations. It is also signed P. P.
Rubens, 1614. This is doubtless the picture from which
C. Galle and Marinus engraved their prints. See also 860,
Vol. ii.
1st. 5 by \st. 9.—P.
In the Public Gallery at Hesse Cassel.
180. Christ on the Cross. See description, No. 393,
Vol. n. And read, engraved by Meysens.
In the Louvre.
181. The Rainbow. A landscape, exhibiting a moun-
tainous country, divided in the centre by a winding river,
crossed by a bridge, near which are several cottages. A
second bridge, composed of wood, is close to the front, and
a stream ripples under it in gurgling eddies. The figures
which embellish the scene, consist of a shepherd and shep-
herdess, who are standing together on the right of the fore-
ground ; on the farther side of them is seated a peasant at
the foot of a tree, with a pipe in his hands, which he appears
to have just ceased playing, and is looking up at a rainbow ;
a third peasant is reposing on the ground, resting his arm
on a brass can, and a shepherdess in a white and blue dress
sits by him. At some distance osf on the left is a large
ssock of sheep, and a few goats browsing on a sloping bank.
The appearance of a recent shower pervades the surrounding
scene. This picture nearly corresponds with No. 400, Vol. II.
2# 8| by 4,£. 1|.—P.
In the Palace of the Hermitage, St. Petersburg.
182. Christ, accompanied by three of his disciples, meet-
ing Mary the brother of Lazarus at the entrance of the gate