PETER PAUL RUBENS.
303
crossed over her breast, and close to her are St. Francis
Xavier, St. Anthony, St. Francis d’Assise, and St. Jerome.
The background is formed of a large curtain, suspended to
two columns. This, like many of his large works, appears to
have had the able hand of the scholar in forwarding it for
the master. It is however a most splendid production.
About 8 st. by 6 st. 6.—C.
In the Palace of the Hermitage at Petersburg.
215. Silenus and Satyrs. See description Nos. 550 and
916, Vol. it. Etched by Panneels from the sketch formerly
in the Methuen Collection at Corsham.
The above is a picture of extraordinary merit; both the
drawing and finishing have evidently received the most studi-
ous attention of the artist. At the sale of the Houghton
Collection, it was estimated at 250Z. and is now worth 1000Z.
In the Palace of the Hermitage.
216. A Landscape, in which is introduced a waggon drawn
by two horses (Described No. 547, Vol. n.), in the Palace
of the Hermitage; is a very doubtful picture.
217. A fine grey Horse, richly caparisoned with a scarlet
velvet saddle housings, and gold stirrups, standing in a front
view in the foreground of a landscape. The City of Antwerp
is visible in the distance. A study.
2 st. 7 by 2 st. 1.—C.
In the Museum at Frankfort.
218. Roman Charity; noticed No. 556, Vol. n. as being
in the Palace of the Hermitage; is a copy.
303
crossed over her breast, and close to her are St. Francis
Xavier, St. Anthony, St. Francis d’Assise, and St. Jerome.
The background is formed of a large curtain, suspended to
two columns. This, like many of his large works, appears to
have had the able hand of the scholar in forwarding it for
the master. It is however a most splendid production.
About 8 st. by 6 st. 6.—C.
In the Palace of the Hermitage at Petersburg.
215. Silenus and Satyrs. See description Nos. 550 and
916, Vol. it. Etched by Panneels from the sketch formerly
in the Methuen Collection at Corsham.
The above is a picture of extraordinary merit; both the
drawing and finishing have evidently received the most studi-
ous attention of the artist. At the sale of the Houghton
Collection, it was estimated at 250Z. and is now worth 1000Z.
In the Palace of the Hermitage.
216. A Landscape, in which is introduced a waggon drawn
by two horses (Described No. 547, Vol. n.), in the Palace
of the Hermitage; is a very doubtful picture.
217. A fine grey Horse, richly caparisoned with a scarlet
velvet saddle housings, and gold stirrups, standing in a front
view in the foreground of a landscape. The City of Antwerp
is visible in the distance. A study.
2 st. 7 by 2 st. 1.—C.
In the Museum at Frankfort.
218. Roman Charity; noticed No. 556, Vol. n. as being
in the Palace of the Hermitage; is a copy.