Smith, John: A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Band 9): Supplement (London: Smith and Son, 1842)

320 PETER PAUL RUBENS.
273. The Rape of the Sabines. See No. 815, Vol. n.; and
read, “ Engraved, in the National Gallery, by J. Stewart.1’
274. Diana and two of her Nymphs reposing after the
Chase. See description, No. 819, Vol. n.; and for size, read
7 st. by 10 st. 1.—C.
In the Royal Collection at Windsor.

275. A Man Ploughing. A landscape representing a view
in Flanders, under the appearance of the last gleams of a
setting sun. In a meadow, bounded by a row of lofty trees,
forming the left of the picture, is a peasant ploughing with
two oxen; a few sheep, two pigs, and a goat, are distributed
around him. In the opposite side the view opens over pasture
lands. This picture formed part of the Collection of Charles
the First.
1 st. 2 by 1 st. 8.—P.
In the Royal Collection, Buckingham Palace.

276. Helena Forman conducted to the Temple of Hymen.
The subject is composed of three females and five cupids; one
of the former, having some resemblance to the above-named
lady, is advancing supported by her two companions, preceded
by three cupids, one of whom holds up a basket of ssowers;
a fourth infant ssies by their side, and the remaining one
soars above their heads with a wreath in his hand. Engraved
by R. Eyndhouts, and repeated by M. Cosway. Described
from the print.
277. Three Cavaliers on horseback, one of whom, and the
nearest to the spectator, has a drawn sword in his hand and
is mounted on a spirited horse (only the hinder part of which
is sketched out.) An unfinished study. Engraved in aqua-
tinto apparently from a chalk drawing.