514 JAN STEEN.
of her next lover. Her dress is of the richest materials, con-
sisting of a yellow silk robe and a jacket of a silver grey hue ;
a plume of feathers adorns her head. A pet dog lies on the
chair. In a retired part of the room may be observed an
old woman receiving a bribe from a gallant, who is entering.
An episode to the subject is ingeniously introduced in a pic-
ture, which represents a harlot driving the ruined prodigal
from her door. This picture is painted in the most accom-
plished style of the master.
2 A by Iss. 6.—P.
Sold by Mr. Netscher to Mr. de Reus, and now in that gentle-
man’s Collection at the Hague.
106. Antony and Cleopatra at table. The subject is
represented as passing in a spacious apartment, paved with
marble, in the centre of which is a well-furnished table, at
which the Egyptian queen and her Roman lover, with their
guests, are seated. The former, richly attired, is in front,
holding the estimable pearl in one hand, and a goblet in the
other, which a page on his bended knee is about to fill; at
the same instant Antony has risen, and is extending his
hand to save the precious jewel from destruction. Painted
in a free and spirited manner.
This picture differs materially from one representing the
same subject, described No. 54, Vol. IV., and is probably the
one which is incorrectly stated in that notice to have been
sold in Mr. Taylor’s collection.
2 st. by 3 st. 61.-C.
In the Collection of Mr. de Reus, at the Hague.
107. The tired Traveller. See description, No. 112,
Vol. iv.
This matchless jewel of the master excited so warm a compe-
of her next lover. Her dress is of the richest materials, con-
sisting of a yellow silk robe and a jacket of a silver grey hue ;
a plume of feathers adorns her head. A pet dog lies on the
chair. In a retired part of the room may be observed an
old woman receiving a bribe from a gallant, who is entering.
An episode to the subject is ingeniously introduced in a pic-
ture, which represents a harlot driving the ruined prodigal
from her door. This picture is painted in the most accom-
plished style of the master.
2 A by Iss. 6.—P.
Sold by Mr. Netscher to Mr. de Reus, and now in that gentle-
man’s Collection at the Hague.
106. Antony and Cleopatra at table. The subject is
represented as passing in a spacious apartment, paved with
marble, in the centre of which is a well-furnished table, at
which the Egyptian queen and her Roman lover, with their
guests, are seated. The former, richly attired, is in front,
holding the estimable pearl in one hand, and a goblet in the
other, which a page on his bended knee is about to fill; at
the same instant Antony has risen, and is extending his
hand to save the precious jewel from destruction. Painted
in a free and spirited manner.
This picture differs materially from one representing the
same subject, described No. 54, Vol. IV., and is probably the
one which is incorrectly stated in that notice to have been
sold in Mr. Taylor’s collection.
2 st. by 3 st. 61.-C.
In the Collection of Mr. de Reus, at the Hague.
107. The tired Traveller. See description, No. 112,
Vol. iv.
This matchless jewel of the master excited so warm a compe-