Universitätsbibliothek HeidelbergUniversitätsbibliothek Heidelberg
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Smith, John
A catalogue raisonné of the works of the most eminent Dutch, Flemish, and French painters: in which is included a short biographical notice of the artists, with a copious description of their principal pictures : a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference the the galleries and private collections in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools (Band 9): Supplement — London: Smith and Son, 1842

DOI Page / Citation link:
https://doi.org/10.11588/diglit.62939#0763

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JOHN WYNANTS.

747

32. A Woman scouring a pot. A landscape, with a cot-
tage of a picturesque appearance embosomed in trees, having
a pent-house attached to it, under which is a woman occupied
scouring a pot upon the top of a cask. A stream glides
along the front of the building. On the opposite side is a
road leading between banks over a hill on which is seen
approaching a gentleman on horseback; a woman and a
child are reposing at the side of the road, with a basket near
them; and at some distance off, in the centre of the scene,
may be observed a second cottage among trees.
1 st. 6 by 2 st. 0|.—P.
Formerly in the possession of Mr. Emmerson, and now in the
Collection of William Theobald, Esq.

33. Huntsmen and Attendants. This capital and splendid
work of the combined masters Wynants and Adrian Vander
Velde, represents a scene of unusual beauty and extent. On
the right of the picture is a high bank, with two trees of
scanty foliage at its side, and an abundance of thistles, docks,
and other herbage; from hence the eye looks over some
rising and undulating ground to a thick wood, which extends
receding to the bank of a river in the left of the picture. On
this side is a road leading from the foreground in a winding
direction into the distant landscape. The figures which em-
bellish the scene consist of two gentlemen on horseback, with
attendants and dogs, both of whom are receding from the
spectator; the nearest to the front has a gun on his shoulder,
and is followed by three dogs; the other gentleman is
mounted on a grey horse ; he appears to have halted to speak
to a man on foot. Two attendants are in advance; one of
them bearing a hoop of hawks, the other a long pole. Four
sheep browse at the side; at a distance beyond them is a
 
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