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Smith, Arthur H. [Editor]; British Museum <London> / Department of Greek and Roman Antiquities [Editor]
Catalogue of sculpture in the Department of Greek and Roman Antiquities (Band 2) — London, 1900

DOI Page / Citation link:
https://doi.org/10.11588/diglit.18217#0047
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THE FOURTH FEIEZE.

33

908. This slab is quite unfinished, and is an instructive
example of the sculptor's method. The whole of the field
is sunk first to the required depth, leaving the figures in
outline of the height of the original surface. The next
step is to work the figures in the round. The outlines
appear to represent a kneeling figure ; a figure standing
with a patera (?) ; a seated figure; a second figure standing
with a patera.

The Fourth Frieze.

New
Number.

Old
Number.

Moll. ddV Inst.
X. PI. 18.

Other Tublitatiuus.

Lengtu.

1 a\
\h)

i

I

898
899
900
901
901
902
903
904 a
904 b
905
90(i a
906 b
907

908

98

99
100

103

96
97

101

102

95

105

104

( XII.*
[ XI*

XIII. *

XIV. *
IV.*

III.*

IX.*
X.*

I. *

XV.*

II. *

VII. *

VIII. *
VI*

v.*

Brunn, Dvnlm., 218.

Brunn, Denim., 218.

Michaelis, Par-
thenon, p. 204.

Feet Indies

4 9

1 0J

4 8

3 lOf

4 3

0 7J

1 iii

3 9J

4 Hi
0 11
3 5
3 Hi
0 7|
3 b|

3 Oj

THE NEREIDS.

The Nereid Monument derives its name from the series
of figures which occupied the intercolumniations of the
structure, and which have been called Nereids since their
discovery. The view that these figures are Nereids is
still generally held, though other interpretations have
been suggested.

VOL. 11. D
 
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