Japanese Wood- Ca rving
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i
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Set No. 2.—Lesson r.—Kirikomi Sankaku.— Lesson 4.—Ishidatami. — Overlapping square
Triangular incisions. In this the line Work present patterns. A slight modelling or rounding of the
throughout the lessons of Set 1 are absent. face occurs here for the first time.
-......■ ,.,,
mm
'■hi
BIWWiiiumwiw I y
tows'!"
Lesson 2—Oikake Sankaku— Overlapping tri- Lesson 5.—HigakL —Interlacing patterns. A
angular patterns. A return to line work, showing similar lesson to the last, but dealing with oblique
some new developments in fine edge-cutting, work.
Lesson 3.—Asanoha.—Hemp-leaf pattern. De- - Lesson 0.—Kagome.—Bamboo basket patterns,
signs in which the incised work and fine edge- A more elaborate development of the preceding
cutting of the last two lessons are incorporated. lessons.
78
1111111(11(11111111
rww "^'V<v,''V; -^""V"^,
-*^'fl*,'^(ili''',^||l''''l!jjll»^. .^,kiy>, y>k
|r;^ii|it^iii,','^ir'^!r'-*iir^^^/^*^'V'',«,
i
■S3 "
lilJilillrlllllL'liliill
11L
™tt.......
_ikiliiiJ
^1
H.RC.
Set No. 2.—Lesson r.—Kirikomi Sankaku.— Lesson 4.—Ishidatami. — Overlapping square
Triangular incisions. In this the line Work present patterns. A slight modelling or rounding of the
throughout the lessons of Set 1 are absent. face occurs here for the first time.
-......■ ,.,,
mm
'■hi
BIWWiiiumwiw I y
tows'!"
Lesson 2—Oikake Sankaku— Overlapping tri- Lesson 5.—HigakL —Interlacing patterns. A
angular patterns. A return to line work, showing similar lesson to the last, but dealing with oblique
some new developments in fine edge-cutting, work.
Lesson 3.—Asanoha.—Hemp-leaf pattern. De- - Lesson 0.—Kagome.—Bamboo basket patterns,
signs in which the incised work and fine edge- A more elaborate development of the preceding
cutting of the last two lessons are incorporated. lessons.
78