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Studio: international art — 5.1895

DOI Artikel:
The editor's room
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.17294#0271

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Awards in " The Studio" Prize Competitions

THE.

HISTORY

OF -a. -ju

MODERN
TAINTING

'A/ 'A* -*t BY

R.MUTHER
»VOL,I-«,

4«p

THE HISTORY OIw.
MODERN PAINTING

HENPvY & CS

first prize (comp a xxvi.) " aaron

be provided at a small cost, one that may be taken
home for future reference and lead artisans to
study old work intelligently.

An article appeared in No. 14 of The Studio on
the embossed leather-work of Mr. H. Jacobsen.
This has attracted so much attention, and Mr.
Jacobsen has had so many inquiries about the
tools employed and method of working, that he
has been induced to prepare and offer, at a reason-
able price, a box containing a complete set of
tools and book of instructions for the use of
amateurs desirous of occupying themselves in this
delightful Art-Craft. The work is so eminently
suitable for home occupation, being light, clean,
and capable of many useful developments, that we
anticipate it will ere long become a favourite one
to the many who like to occupy their spare hours
with artistic employment. There will shortly
appear in The Studio a practical article on this
subject.

Awards in "the studio"
prize competitions.
Design for a Cloth Binding.
(A xxvi)

artist's principal works. It shows every promise of „. „ , _,. . x . , , .

. , 1 The First Prize (Five guineas) is awarded to

becoming when completed a valuable and hand-
some book of reference. Each article is accom-
panied by a list of the important paintings of the
artist treated upon.

Handbook to the Industrial Arts Collection. (Bir-
mingham Museum and Art Gallery, is.)—This
excellent compilation is one more proof of the wise
common sense, coupled with accurate technical
knowledge, that distinguishes the direction of a
most admirable institution. Mr, Whitworth Wallis
has worked splendidly for his committee, in a
hundred ways, has bought economically and with
rare discrimination, and arrayed the objects in a way
that leaves nothing to be desired. Yet of all his
good deeds for art, none should bear more direct
fruit than this handbook, which (ably seconded by
Mr. A. B. Chamberlain) he has made a book of
reference for at least fourteen distinct subjects.
With seventy capital illustrations, historic notes,
and prefatory essays to the various classes of
applied art in the collection, it presents a visitor
with a small but adequate encyclopaedia upon
these matters for one shilling. Object lessons are
most valuable of all teaching; but as speakers
cannot always be on hand to explain the treasures
of a collection to the visitors, it is thoroughly in
keeping with its intention that a good guide should second prize (comp. a xxvi.) " artefex

xxvm
 
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