DOI Heft:
Nr. 102 (Septembre 1901)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19788#0322
»
Studio- Talk
excellent painting, La Uglia del Maharadsha), Oppler, Dettmann, Jank, Leistikow, Briitt, and
Pallya, and Ziegler. Bartels. French art, too, is worthily displayed,
- its chief exponents being Carriere, Besnard,
The English gallery is one of the most interest- Raffaelli, Martin, Menard, Royer, and Simon,
ing, both on racial and on technical grounds, the last-named exhibiting " costume" paintings;
There were several splendid drawings by Burne- also Cottet, with a powerful sea-piece; and Gaston
Jones to be admired, together with the Sogno di La Touche, with three of his fanciful productions.
Lancillo tto (" Lancelot's Dream "); and "Pepper- _
corn" sent three most harmonious landscapes. Prominent among the Belgians is Fernand
Alfred East is represented by three large canvases, Khnopffj whose Httle portrait is delightful. and
Orchardson by several works shown in Pans; and hg jg wd] supported by FrM6ric, Heymans,
we also have works by Boughton, Frank Brangwyn, MertenSj Buyss6j and claus_ Switzerland's
and Walter Crane. The attention of public and champions are Bumand and Weymann, while
critics alike is attracted by two canvases by Byam gpain contributeSj through the medium of Sorolla!
Shaw-Zto ? and Giochi JAmore, the last-named tyfQ landscapes and a characteristic figure piece,
being the most popular. The Glasgow School is
represented by Lavery, who sends four works of
different sorts ; by Paterson, Robertson, Kay, and A special gallery is devoted to the numerous
Walton, whose La Sera, together with a landscape exhibits of Auguste Rodin, always the subject of
by Alfred East, has been purchased for the Galleria keen discussion ; ot Meunier, not discussed but
Moderna of Venice.
Among the Americans
the most generally appre-
ciated are Sargent, the two
Bensons, Callender, Davis,
Homer, Melchers, and
Thayer. From North
Europe we have works by
that most powerful artist,
Ancher, from Irminger,
listed, Hesselborn, Fritz
Thaulow, Fiaestad, Peter-
sen, and Munthe; while
Poland sends a highly es-
teemed artist in the person
of C. Strabrowsky, and
Russia relies on Maliavine,
whose enormous // Riso —
acquired by the Venetian
Gallery—has been discussed
with considerable bitterness.
The Germans are here in
force—the illustrious Bock-
lin, lately deceased, with
several interesting unfin-
ished works; Leibl, with
two charming little can-
vases ; Lenbach, with a
Bismarck; Kaulbach, with
three portraits ; and Franz
Stuck, with some marvellous
little bronzes. Other Teu-
tonic representatives are • < n. mulino del diavoi.o " by mario de maria
286
Studio- Talk
excellent painting, La Uglia del Maharadsha), Oppler, Dettmann, Jank, Leistikow, Briitt, and
Pallya, and Ziegler. Bartels. French art, too, is worthily displayed,
- its chief exponents being Carriere, Besnard,
The English gallery is one of the most interest- Raffaelli, Martin, Menard, Royer, and Simon,
ing, both on racial and on technical grounds, the last-named exhibiting " costume" paintings;
There were several splendid drawings by Burne- also Cottet, with a powerful sea-piece; and Gaston
Jones to be admired, together with the Sogno di La Touche, with three of his fanciful productions.
Lancillo tto (" Lancelot's Dream "); and "Pepper- _
corn" sent three most harmonious landscapes. Prominent among the Belgians is Fernand
Alfred East is represented by three large canvases, Khnopffj whose Httle portrait is delightful. and
Orchardson by several works shown in Pans; and hg jg wd] supported by FrM6ric, Heymans,
we also have works by Boughton, Frank Brangwyn, MertenSj Buyss6j and claus_ Switzerland's
and Walter Crane. The attention of public and champions are Bumand and Weymann, while
critics alike is attracted by two canvases by Byam gpain contributeSj through the medium of Sorolla!
Shaw-Zto ? and Giochi JAmore, the last-named tyfQ landscapes and a characteristic figure piece,
being the most popular. The Glasgow School is
represented by Lavery, who sends four works of
different sorts ; by Paterson, Robertson, Kay, and A special gallery is devoted to the numerous
Walton, whose La Sera, together with a landscape exhibits of Auguste Rodin, always the subject of
by Alfred East, has been purchased for the Galleria keen discussion ; ot Meunier, not discussed but
Moderna of Venice.
Among the Americans
the most generally appre-
ciated are Sargent, the two
Bensons, Callender, Davis,
Homer, Melchers, and
Thayer. From North
Europe we have works by
that most powerful artist,
Ancher, from Irminger,
listed, Hesselborn, Fritz
Thaulow, Fiaestad, Peter-
sen, and Munthe; while
Poland sends a highly es-
teemed artist in the person
of C. Strabrowsky, and
Russia relies on Maliavine,
whose enormous // Riso —
acquired by the Venetian
Gallery—has been discussed
with considerable bitterness.
The Germans are here in
force—the illustrious Bock-
lin, lately deceased, with
several interesting unfin-
ished works; Leibl, with
two charming little can-
vases ; Lenbach, with a
Bismarck; Kaulbach, with
three portraits ; and Franz
Stuck, with some marvellous
little bronzes. Other Teu-
tonic representatives are • < n. mulino del diavoi.o " by mario de maria
286