DOI Heft:
No. 111 (June, 1902)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.19876#0069
Studio- Talk
bordered with bending trees—and A Day in Early London, with its curious broken reflections of
Spring, Kirkcudbrightshire. Mr. Hal Hurst's A coloured lights. Mr. Soord's portrait of William
Fi-esh Fancy represents a cavalier in the gorgeous Maitland (Craftsman) is noticeable for its finish
garments of his day, bowing exaggeratedly before a and laborious detail. M. W. J.
girl standing in the snow before a high wall, while
the old lover watches disgustedly a short distance 7% /¥ UNICH.—As has long been customary,
away. If the subject and the treatment are re- / \ / 1 the recent Exhibition of the Secession
miniscent of a Christmas almanac, the composition | W I Society gave precedence to the younger
is good and the figures are well drawn. Mr. Eyre artists, hanging their work better than
Walker's drawing, Night—a grey horse grazing in that of their older contemporaries. The critic had
the misty moonlight—admirably conveys the idea therefore a very favourable opportunity of becom-
suggested by the title, the whole effect being dis- ing acquainted with the men of the future at what
tinctly somnolent. There are two studies of in- is really the very outset of their careers, and the
teriors to be specially noted—Sir Wyke Bayliss's questions naturally arise: what will painting in
excellent drawing of The Golden Duomo, Pisa, and Munich be like ten or twenty years hence ? What
Mr. J. Fulleylove's Nave of St. Paul's Cathedral, will be the style evolved by the present neophytes?
JEWELLERY
BY ALEXANDER FISHER
57
bordered with bending trees—and A Day in Early London, with its curious broken reflections of
Spring, Kirkcudbrightshire. Mr. Hal Hurst's A coloured lights. Mr. Soord's portrait of William
Fi-esh Fancy represents a cavalier in the gorgeous Maitland (Craftsman) is noticeable for its finish
garments of his day, bowing exaggeratedly before a and laborious detail. M. W. J.
girl standing in the snow before a high wall, while
the old lover watches disgustedly a short distance 7% /¥ UNICH.—As has long been customary,
away. If the subject and the treatment are re- / \ / 1 the recent Exhibition of the Secession
miniscent of a Christmas almanac, the composition | W I Society gave precedence to the younger
is good and the figures are well drawn. Mr. Eyre artists, hanging their work better than
Walker's drawing, Night—a grey horse grazing in that of their older contemporaries. The critic had
the misty moonlight—admirably conveys the idea therefore a very favourable opportunity of becom-
suggested by the title, the whole effect being dis- ing acquainted with the men of the future at what
tinctly somnolent. There are two studies of in- is really the very outset of their careers, and the
teriors to be specially noted—Sir Wyke Bayliss's questions naturally arise: what will painting in
excellent drawing of The Golden Duomo, Pisa, and Munich be like ten or twenty years hence ? What
Mr. J. Fulleylove's Nave of St. Paul's Cathedral, will be the style evolved by the present neophytes?
JEWELLERY
BY ALEXANDER FISHER
57