Studio- Talk
part of a frieze (See Geneva Studio-Talk.) by gustave de beaumont
part of a frieze (See Geneva Studio-Talk) by gustave de beaumont
warmth of colour, with astonishing wealth of detail. might be expected, is very strong. Simon's Country
Amongst other good names, special prominence Circus is the most important. Carolus-Duran has
must be given to Alfred Stevens' Japanese Mask, three works, and Besnard his portrait of Mme.
and Lys' noble and dignified works, and de Rejane. Georges Berges' Iron Foundry is a tour
Brackeleer's complex elaborations. de force, with complex play of evening light, glare
The English and Ameri-
can painters occupy two
rooms. Lavery's master-
piece, Lady with Black
Poodle, is here, also his
Bridge in Grez, probably
the best picture of that
thousand - times painted
structure. Priestman's low-
toned distinguished works
are much admired, as well
as many works by the
" Glasgow School." Places
of honour are given to
Chase's children's portraits;
Sauter's Sonata and Mot/ier-
hood, and Crane's Proser-
pine Walter Gay and ^SMSffl««S«H^^mM
MacEwen exhibit with the
French, whose gallery, as stone garden seat (See Dresden Studio-Talk) by m. a. nicolai
68
part of a frieze (See Geneva Studio-Talk.) by gustave de beaumont
part of a frieze (See Geneva Studio-Talk) by gustave de beaumont
warmth of colour, with astonishing wealth of detail. might be expected, is very strong. Simon's Country
Amongst other good names, special prominence Circus is the most important. Carolus-Duran has
must be given to Alfred Stevens' Japanese Mask, three works, and Besnard his portrait of Mme.
and Lys' noble and dignified works, and de Rejane. Georges Berges' Iron Foundry is a tour
Brackeleer's complex elaborations. de force, with complex play of evening light, glare
The English and Ameri-
can painters occupy two
rooms. Lavery's master-
piece, Lady with Black
Poodle, is here, also his
Bridge in Grez, probably
the best picture of that
thousand - times painted
structure. Priestman's low-
toned distinguished works
are much admired, as well
as many works by the
" Glasgow School." Places
of honour are given to
Chase's children's portraits;
Sauter's Sonata and Mot/ier-
hood, and Crane's Proser-
pine Walter Gay and ^SMSffl««S«H^^mM
MacEwen exhibit with the
French, whose gallery, as stone garden seat (See Dresden Studio-Talk) by m. a. nicolai
68