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Studio: international art — 39.1907

DOI issue:
No. 165 (December, 1906)
DOI article:
Studio-talk
DOI Page / Citation link:
https://doi.org/10.11588/diglit.20716#0276
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Studio- Talk

LEADED GLASS PANEL FOR INGLENOOK

BY ALEXANDER GASCOYNE

on a light ground by introducing brilliant pieces
of richly-coloured glass here and there, so as to
give a sparkling effect. In the mill panel, executed
for an inglenook, the golden-browns and various
shades of green employed give it a very rich effect.
In the next example greens and pale rose Venetian
opalescent make a harmonious and delicate com-
bination ; while in the fourth, an ingle-nook panel,

LEADED GLAZING BY ALEXANDER GASCOYNE

pale opalescent blues and green are effectively dis-
played on a clear ground.

Mr. Arthur Spooner, whose picture Iris we repro-
duce opposite, is comparatively a young man, and
almost entirely unknown outside this, his native
town. The picture met with high appreciation
when shown at the Nottingham Society of Artists'
Exhibition, where it occupied the place of honour,
and subsequently gained for the artist the highest
award of the Trustees of the Holbrook Bequest.

STAINED GLASS FOR INGLENOOK

BY ALEXANDER GASCOYNE

BRISTOL.—We give opposite an illustra-
tion of some candlesticks which Mr.
John Swaine, of Publow, has designed
and executed in oak, a material which, in
conjunction with a simple yet pleasing design, has
here been employed in an effective manner.

GLASGOW.—In some minute silver and
enamel work we saw in Mr. W. A.
Davidson's studio recently the extreme
delicacy of touch of the expert silver
chaser was in evidence, while a collection of
repousse portraits, in which every minute feature of

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