DOI Heft:
Nr. 188 (November 1908)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20965#0161
Studio-Talk
subjects of note are the
harmonious Coryph'ee ot
Mr. Melton Fisher with
the finish of execution
which belongs to this
painter, Mr. Gerald
Moira’s Flora, the smaller
of Mr. Lee Hankey’s
Interiors, and a picture
called Wandering Willie
which represents Miss
Constance Halford’s art
better than ever.
• RICHMOND BRIDGE
(Society of 25 Painters)
equal to the decorative rhythm of his line, and in
The Chase, and also in the small painting Pan and
Syrinx, this addition to his art is very noticeable.
Two works with masterly qualities and unusual
charm are Mr. Oliver Hall’s Greatham Common
and Hayling Common, but Mr. Hughes-Stanton is
perhaps the most powerful landscape exhibitor,
whilst Mr. Grosvenor Thomas’s Norfolk Landscape
is a notable little panel. Mr. A. D. Peppercorn
sends a fine example of
his art in The Pool, and a
very interesting work is
Mr. Sydney Lee’s Alpine
Torrent. Mr. A. Wither’s
Chalk Pit, Mr. Terrick
Williams’ Market Cart at
Concarneau, the Richmond
Bridge of Mr. H. M.
Livens, and a landscape
by Mr. G. Houston are
some of the best features.
A delightful and charac-
teristic example of Mr.
Hornel’s wholly individual
art is to be seen in his
Tea-plucking in Ceylon,
one of the fruits of his so-
journ in that island. In
our next issue we hope
to give our readers a
coloured reproduction of
this work. Other figure “an alpine torrent’
Among the younger
men who are devoting
their powers primarily to
landscape, there is pro-
bably no more interesting
painter than Mr. Fred
Stratton, none with whom
the credit of English
to stand more securely,
makes more surely for
beauty. That he has felt the influences of the
Barbizon masters is apparent, but he has wisely
let them teach him how to go to nature, and
learn direct from her the way to express himself.
Essentially romantic in vision and feeling, Mr.
Stratton’s attitude towards nature is one of intense
affecticn and devotion, and she is graciously
BY H. M. LIVENS
landscape art promises
none with whom it
( Society of 2J Fainters)
BY SYDNEY LEE
139
subjects of note are the
harmonious Coryph'ee ot
Mr. Melton Fisher with
the finish of execution
which belongs to this
painter, Mr. Gerald
Moira’s Flora, the smaller
of Mr. Lee Hankey’s
Interiors, and a picture
called Wandering Willie
which represents Miss
Constance Halford’s art
better than ever.
• RICHMOND BRIDGE
(Society of 25 Painters)
equal to the decorative rhythm of his line, and in
The Chase, and also in the small painting Pan and
Syrinx, this addition to his art is very noticeable.
Two works with masterly qualities and unusual
charm are Mr. Oliver Hall’s Greatham Common
and Hayling Common, but Mr. Hughes-Stanton is
perhaps the most powerful landscape exhibitor,
whilst Mr. Grosvenor Thomas’s Norfolk Landscape
is a notable little panel. Mr. A. D. Peppercorn
sends a fine example of
his art in The Pool, and a
very interesting work is
Mr. Sydney Lee’s Alpine
Torrent. Mr. A. Wither’s
Chalk Pit, Mr. Terrick
Williams’ Market Cart at
Concarneau, the Richmond
Bridge of Mr. H. M.
Livens, and a landscape
by Mr. G. Houston are
some of the best features.
A delightful and charac-
teristic example of Mr.
Hornel’s wholly individual
art is to be seen in his
Tea-plucking in Ceylon,
one of the fruits of his so-
journ in that island. In
our next issue we hope
to give our readers a
coloured reproduction of
this work. Other figure “an alpine torrent’
Among the younger
men who are devoting
their powers primarily to
landscape, there is pro-
bably no more interesting
painter than Mr. Fred
Stratton, none with whom
the credit of English
to stand more securely,
makes more surely for
beauty. That he has felt the influences of the
Barbizon masters is apparent, but he has wisely
let them teach him how to go to nature, and
learn direct from her the way to express himself.
Essentially romantic in vision and feeling, Mr.
Stratton’s attitude towards nature is one of intense
affecticn and devotion, and she is graciously
BY H. M. LIVENS
landscape art promises
none with whom it
( Society of 2J Fainters)
BY SYDNEY LEE
139