Studio-Talk
his most successful work. M. Bugatti has just
concluded a year’s study at the Zoological Gardens
in Antwerp, and of the pieces he had on view I was
particularly pleased with his Elephant, reproduced
on page 239, his Giraffe, and his Yaks.
etcher, Mr. Frank Brangwyn. Mr. Barker’s con-
tribution to the Salon was the etching reproduced
on page 234, Château Gaillard, drawn with quite
remarkable assurance and a great feeling for light
and shade.
I must not leave the
subject of the Salon d’Au-
tomne without drawing
attention to the admirable
drawings by Milcendeau,
who has for some years
been an absentee from our
exhibitions; a masterly
etched portrait of the Presi-
dent of the Salon, M. Frantz
Jourdain, by Besnard ; also
to some very powerful land-
scapes of the Dolomites by
M. Jeanès, who has found
his favourite sketching
ground in this region of
strange geological forma-
tions. Nor must I omit to
mention a young artist of
much promise among the
foreigners, Mr. Anthony
R. Barker, a pupil, 1 believe,
. . ETCHED PORTRAIT OF M. FRANTZ JOURDAIN
of the gifted English painter- (Salon d'Automne)
236
BY BESNARD
In going through the picture galleries I was struck
by the excellent works of Chigot (scenes in the
parks), delicate impressions of autumn viewed by
the painter’s infinitely sensitive eye ; a charming
portrait by Belleroche, who is making for himself
quite a reputation as à painter of women ; a large
portrait by Simon Bussy ; some dazzling pastels of
Chéret ; landscapes by Chénard-Huché (of thé
two reproduced the first has been bought for the
Luxembourg) ; Dagnac Rivière, Dezaunay, Diriks,
Dufrénoy (V enetian scenes),
Gropéano ; a female por-
trait by Ch. Guérin,
which was much admired ;
some vigorous sketches by
Hochard, flower pieces by
Lopisgich, excellent studies
by Morérod, landscapes by
Ranft, and water-colours by
Drésa. All these formed
a charming ensemble which
made one forget the crowd
of mediocre works throng-
ing the walls.
M. Bernheim, the younger, has re-opened his
gallery on the Boulevard de la Madeleine with a
collection of some choice work of the late lamented
Toulouse-Lautrec, while M. Druet has inaugurated
a new gallery in the Rue Royale with an exhibition
of pastels by K. X. Roussel.
A new society has just been formed in Paris
under the name of the Société de la Gravure
Originale en Noir, of which the first exhibition
his most successful work. M. Bugatti has just
concluded a year’s study at the Zoological Gardens
in Antwerp, and of the pieces he had on view I was
particularly pleased with his Elephant, reproduced
on page 239, his Giraffe, and his Yaks.
etcher, Mr. Frank Brangwyn. Mr. Barker’s con-
tribution to the Salon was the etching reproduced
on page 234, Château Gaillard, drawn with quite
remarkable assurance and a great feeling for light
and shade.
I must not leave the
subject of the Salon d’Au-
tomne without drawing
attention to the admirable
drawings by Milcendeau,
who has for some years
been an absentee from our
exhibitions; a masterly
etched portrait of the Presi-
dent of the Salon, M. Frantz
Jourdain, by Besnard ; also
to some very powerful land-
scapes of the Dolomites by
M. Jeanès, who has found
his favourite sketching
ground in this region of
strange geological forma-
tions. Nor must I omit to
mention a young artist of
much promise among the
foreigners, Mr. Anthony
R. Barker, a pupil, 1 believe,
. . ETCHED PORTRAIT OF M. FRANTZ JOURDAIN
of the gifted English painter- (Salon d'Automne)
236
BY BESNARD
In going through the picture galleries I was struck
by the excellent works of Chigot (scenes in the
parks), delicate impressions of autumn viewed by
the painter’s infinitely sensitive eye ; a charming
portrait by Belleroche, who is making for himself
quite a reputation as à painter of women ; a large
portrait by Simon Bussy ; some dazzling pastels of
Chéret ; landscapes by Chénard-Huché (of thé
two reproduced the first has been bought for the
Luxembourg) ; Dagnac Rivière, Dezaunay, Diriks,
Dufrénoy (V enetian scenes),
Gropéano ; a female por-
trait by Ch. Guérin,
which was much admired ;
some vigorous sketches by
Hochard, flower pieces by
Lopisgich, excellent studies
by Morérod, landscapes by
Ranft, and water-colours by
Drésa. All these formed
a charming ensemble which
made one forget the crowd
of mediocre works throng-
ing the walls.
M. Bernheim, the younger, has re-opened his
gallery on the Boulevard de la Madeleine with a
collection of some choice work of the late lamented
Toulouse-Lautrec, while M. Druet has inaugurated
a new gallery in the Rue Royale with an exhibition
of pastels by K. X. Roussel.
A new society has just been formed in Paris
under the name of the Société de la Gravure
Originale en Noir, of which the first exhibition