DOI Heft:
No. 201 (December, 1909)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.20968#0260
Studio-Talk
marnock, by this artist, was one of the centres of and pastels of this Munich artist (who, however,
attraction, both for artist and layman; here a is an Austrian by birth) revealed the genuine
somewhat commonplace street in a commonplace interpreter of Rococo times. We cannot remember
town becomes charming by the inspiration of the a second artist who is so perfectly equipped to
painter. There is clever composition, well-drawn render the seduction and flippancy, the grace,
architecture, skilful light and shade effect and a frivolity and tenderness of this period. His pen
breathing atmosphere. Mr. John Q. Pringle is pirouettes and glides quite in the style of the Steele
something of an enigma. Last year he contributed charmant. His abbes, marquises and pages seem
a large-sized fantasy in colour; when the Society credible enough, but woman is the star in this
showed in London he captured the critics, and realm. Bayros is the adorer of Rococo chic; and
invitations from continental galleries to show it seems only natural that he should show also a
his work were unheeded. This year the artist was fine hand in small portraits of elegant modern
content to show a miniature, Ducks, rich and ladies. In them he can be very simple, although
luminous as an enamel, and choicely mounted, the atmosphere of the boudoir is ever present,
and a small water-colour sketch of rare treatment --
and charming colour effect. Art is an exacting At the October exhibition at Schulte's, honours
mistress. She will not be satisfied with less than were divided between foreign and German
the whole-souled devotion of Mr. John Q. Pringle. Art. The Hungarian, Ludwig Mark, from Buda-
- pest, introduced himself as a portraitist of beautiful
Stewart Orr's Arran sketches formed one of women. His colourism has profited much by
the most attractive features of the water-colour Venetian classics and French modernists, but the
section. The brown hill, the lonely moor, the spirit in which he loves to render national femininity
broken cloud are all portrayed by this earnest is quite Hungarian. We felt fascinated by charms
observer of nature with rare fidelity and charm, of tonalities, whilst mien and pose struck one as in-
Readers of this magazine will shortly have an trusive. His inventiveness and originality of motij
opportunity of seeing a reproduction in colours of and his colour sense are stronger than his pictorial
one of these delightful transcriptions
of Arran landscape. In Mr. Munro
S. Orr's figure studies there was a
quaintness and individuality familiar
in many of his well-known book illus-
trations, The Long Pipe being a typical
example of the artist's manner. In
The Dance Miss Jessie M. King dis-
played all her wonted imagination and
inimitable touch, while The Shep-
herdess, a delicately executed water-
colour drawing, was charged with the
genius of originality and fine feeling.
These were but a few of the more
striking pictures in an exhibition of
general excellence that will be an en-
couragement to the young society to
yet greater effort. J. T.
BE R L I N.—At the Hohen-
zollern Kunstgewerbehaus
Messrs. Friedmann and
Weber arranged a charm-
ing Louis Quinze and Seize setting
for the exhibition of the works of
Franz von Bayros. A study of the
numerous pen-drawings, water-colours "in the park" by franz von bayros
238
marnock, by this artist, was one of the centres of and pastels of this Munich artist (who, however,
attraction, both for artist and layman; here a is an Austrian by birth) revealed the genuine
somewhat commonplace street in a commonplace interpreter of Rococo times. We cannot remember
town becomes charming by the inspiration of the a second artist who is so perfectly equipped to
painter. There is clever composition, well-drawn render the seduction and flippancy, the grace,
architecture, skilful light and shade effect and a frivolity and tenderness of this period. His pen
breathing atmosphere. Mr. John Q. Pringle is pirouettes and glides quite in the style of the Steele
something of an enigma. Last year he contributed charmant. His abbes, marquises and pages seem
a large-sized fantasy in colour; when the Society credible enough, but woman is the star in this
showed in London he captured the critics, and realm. Bayros is the adorer of Rococo chic; and
invitations from continental galleries to show it seems only natural that he should show also a
his work were unheeded. This year the artist was fine hand in small portraits of elegant modern
content to show a miniature, Ducks, rich and ladies. In them he can be very simple, although
luminous as an enamel, and choicely mounted, the atmosphere of the boudoir is ever present,
and a small water-colour sketch of rare treatment --
and charming colour effect. Art is an exacting At the October exhibition at Schulte's, honours
mistress. She will not be satisfied with less than were divided between foreign and German
the whole-souled devotion of Mr. John Q. Pringle. Art. The Hungarian, Ludwig Mark, from Buda-
- pest, introduced himself as a portraitist of beautiful
Stewart Orr's Arran sketches formed one of women. His colourism has profited much by
the most attractive features of the water-colour Venetian classics and French modernists, but the
section. The brown hill, the lonely moor, the spirit in which he loves to render national femininity
broken cloud are all portrayed by this earnest is quite Hungarian. We felt fascinated by charms
observer of nature with rare fidelity and charm, of tonalities, whilst mien and pose struck one as in-
Readers of this magazine will shortly have an trusive. His inventiveness and originality of motij
opportunity of seeing a reproduction in colours of and his colour sense are stronger than his pictorial
one of these delightful transcriptions
of Arran landscape. In Mr. Munro
S. Orr's figure studies there was a
quaintness and individuality familiar
in many of his well-known book illus-
trations, The Long Pipe being a typical
example of the artist's manner. In
The Dance Miss Jessie M. King dis-
played all her wonted imagination and
inimitable touch, while The Shep-
herdess, a delicately executed water-
colour drawing, was charged with the
genius of originality and fine feeling.
These were but a few of the more
striking pictures in an exhibition of
general excellence that will be an en-
couragement to the young society to
yet greater effort. J. T.
BE R L I N.—At the Hohen-
zollern Kunstgewerbehaus
Messrs. Friedmann and
Weber arranged a charm-
ing Louis Quinze and Seize setting
for the exhibition of the works of
Franz von Bayros. A study of the
numerous pen-drawings, water-colours "in the park" by franz von bayros
238