Studio: international art (48.1910)

Studio-Talk

tions are always among the chief attractions at the
Salon d'Automne, which has already shown us
most interesting ensembles of the work of Ingres,
Manet, Courbet, Greco, Monticelli and Cezanne.
One room was devoted to the works of Corot as
a figure painter. Several of these struck me as
being of secondary importance, but on the other
hand one was pleased to see certain portraits of
Italians, of a man in armour, Breton women
spinning, and in particular the Bain de Diane,
though this last is really a landscape, the figures
being quite of minor importance.

A few months ago there died a Dutch artist
whose talented work was but little known to the
public at large; Ten Cate. The Salon d'Automne
did very well in giving up to his pictures a
small room, which formed one of the most delight-
ful features of the Exhibition. Fifty works—
paintings, water-colours and drawings—revealed
to us a charming artist imbued with the picturesque-
ness and luminosity of his country. Ten Cate
was really but a pupil of Jongkind. Less powerful

head of mme. delune by rosa sii.berer

(See Vienna Studio- Talk)

Eugene Chigot, which are
truly of exquisite harmony;
the restrained portrait by
Mme. Galtier - Boissiere,
and the portrait of an
Amazon by Mr. Lavery,
whose work is always so
distinguished and so un-
faltering; and I enjoyed
the very poetic flower
paintings of Mme. Lisbeth
D. Carriere, the strong and
simple landscapes of
Morrice, the decorative
panel by Mme. Crespel,
and the sunlit figures of
Mme. Gonyn de Lurieux.
Three artists whose works
were grouped together in
the one room seemed to
me to be carrying on the
traditions of Sisley ; these
are MM. Maufra, Loiseau
and Moret, whose produc-
tions deserve a very close
study.

The retrospective sec- "the karawanken mountains" by viktor mytteis

243