DOI issue:
No. 216 (March, 1911)
DOI article:Studio-talk
DOI Page / Citation link:https://doi.org/10.11588/diglit.20972#0169
Studio-Talk
silver cup reproduced. The Wiener Werk-
statte exhibits occupied a small room to them-
selves. These touched almost every domain
of applied art, including dresses and millinery.
The Hagenbund winter exhibtion was quite
up to the usual standard of this society. Among
the graphic artists much good work was shown,
particularly by Dr. Rudolf Junk. Jaromir
Stretti-Zamponi sent some interesting etchings
of old Prague, and Franz Simon also chose this
theme for the etchings he contributed. Fer-
dinand Mich! has likewise an inkling after
unknown corners, which lend full play to a
poetic imagination. Oskar Laske again proved
himself an able architect in the arrangement of
the exhibition, and also a true artist in a series
of water-colour drawings, teeming with life and
colour, of market scenes, with ancient archi-
tecture in the background. Some good litho-
graphs were shown by Victor Stretti, drawings
by A. Goltz, and linoleum prints by Walter
Dittrich.
Casimir von Sichulski, who has migrated to
Lemberg, is now giving his attention to stained
glass. His themes are chosen from biblical
history, and his feeling leads him to give them "a courtyard at gmund, carinthia '
a Polish setting, with the result that his work
has a quite unique character. Adolf Gross ex-
hibited a number of pastels—mostly tree studies Roth's Tyrolese House and Garden and Otto
—betokening a true love of nature. August Barth's Courtyard at Gmund, Carinthia, ad-
m i r a b 1 y represented
these artists.
by otto barth
{Hagenbund, Vienna)
There was not much
sculpture. Professor
Barwig exhibited some
very fine work in wood
and some excellent
bronze animals, and Jan
Stursa some majolica
of artistic merit. An
additional interest was
given to : the exhibition
by the collection of
pictures exhibited by
Otto Hettner, a true
artist in spirit and feel-
ing, who has hitherto
remained unknown to
the art-loving Viennese.
cushion designed and embroidered by valerie petter
(Austrian Museum, Vienna) bition at the Kiinstler-
The clou of the exhi-
^unsi
147
silver cup reproduced. The Wiener Werk-
statte exhibits occupied a small room to them-
selves. These touched almost every domain
of applied art, including dresses and millinery.
The Hagenbund winter exhibtion was quite
up to the usual standard of this society. Among
the graphic artists much good work was shown,
particularly by Dr. Rudolf Junk. Jaromir
Stretti-Zamponi sent some interesting etchings
of old Prague, and Franz Simon also chose this
theme for the etchings he contributed. Fer-
dinand Mich! has likewise an inkling after
unknown corners, which lend full play to a
poetic imagination. Oskar Laske again proved
himself an able architect in the arrangement of
the exhibition, and also a true artist in a series
of water-colour drawings, teeming with life and
colour, of market scenes, with ancient archi-
tecture in the background. Some good litho-
graphs were shown by Victor Stretti, drawings
by A. Goltz, and linoleum prints by Walter
Dittrich.
Casimir von Sichulski, who has migrated to
Lemberg, is now giving his attention to stained
glass. His themes are chosen from biblical
history, and his feeling leads him to give them "a courtyard at gmund, carinthia '
a Polish setting, with the result that his work
has a quite unique character. Adolf Gross ex-
hibited a number of pastels—mostly tree studies Roth's Tyrolese House and Garden and Otto
—betokening a true love of nature. August Barth's Courtyard at Gmund, Carinthia, ad-
m i r a b 1 y represented
these artists.
by otto barth
{Hagenbund, Vienna)
There was not much
sculpture. Professor
Barwig exhibited some
very fine work in wood
and some excellent
bronze animals, and Jan
Stursa some majolica
of artistic merit. An
additional interest was
given to : the exhibition
by the collection of
pictures exhibited by
Otto Hettner, a true
artist in spirit and feel-
ing, who has hitherto
remained unknown to
the art-loving Viennese.
cushion designed and embroidered by valerie petter
(Austrian Museum, Vienna) bition at the Kiinstler-
The clou of the exhi-
^unsi
147