DOI issue:
No. 227 (February 1912)
DOI article:Studio-talk
DOI Page / Citation link: https://doi.org/10.11588/diglit.21156#0075
Studio-Talk
troduction to a London public, and the Press pro-
nounced his debut a notable success. H. B. B.
[A day or two after receiving the foregoing note
we learned with great regret of the death of the
contributor, Mr. Henry Bloomfield Bare, who died
in a nursing home at Liverpool on January 8 after
an operation for cancer. Mr. Bare was a Fellow of
the Royal Institute of British Architects (elected
1888) and had been associated with this magazine
for a number of years as its Liverpool corre-
spondent and writer of occasional articles. An
ardent sympathiser with the arts and crafts move-
ment in this country, he was himself a designer and
craftsman of taste and skill, and was a constant
contributor to the local exhibitions of applied art.
Examples of his work in metal and wood have
appeared in these pages from time to time.—•
Editor.]
PARIS.---Boleslas de Buyko, whose Vieux
Paris is reproduced opposite, is a young
Polish artist who has of late been
attracting considerable attention in the
art circles of Paris. A native of Vilna, he early
showed a strong leaning towards art. Entering the
Academy of Fine Art at Cracow, he studied land-
scape painting under Prof. Staneslawski, and then
at the end of seven years’ work in his native country
began to travel, eventually coming to Paris and
making it his home. His works are to be seen in
the Salon each year, and last spring his water-
colours so impressed the President of the Societe
Internationale d’Aquarellistes that he was at once
invited to join that society. De Buyko is a
versatile artist, and possesses in a high degree that
feeling for colour which is so marked a charac-
teristic of the Slav race, besides being an excellent
draughtsman. M. M.
M. Taquoy, who is an expert in all matters
appertaining to sport and hunting, held recently
a most interesting show of his work at Blot’s. He
revives a class of art which the English engravers
of the nineteenth century carried to a very high
degree of excellence. In his very personal manner
the artist initiates us into the mysteries of the
multifarious life of the woods and forests. The
deer, the hounds, the horses, in a word all the
troduction to a London public, and the Press pro-
nounced his debut a notable success. H. B. B.
[A day or two after receiving the foregoing note
we learned with great regret of the death of the
contributor, Mr. Henry Bloomfield Bare, who died
in a nursing home at Liverpool on January 8 after
an operation for cancer. Mr. Bare was a Fellow of
the Royal Institute of British Architects (elected
1888) and had been associated with this magazine
for a number of years as its Liverpool corre-
spondent and writer of occasional articles. An
ardent sympathiser with the arts and crafts move-
ment in this country, he was himself a designer and
craftsman of taste and skill, and was a constant
contributor to the local exhibitions of applied art.
Examples of his work in metal and wood have
appeared in these pages from time to time.—•
Editor.]
PARIS.---Boleslas de Buyko, whose Vieux
Paris is reproduced opposite, is a young
Polish artist who has of late been
attracting considerable attention in the
art circles of Paris. A native of Vilna, he early
showed a strong leaning towards art. Entering the
Academy of Fine Art at Cracow, he studied land-
scape painting under Prof. Staneslawski, and then
at the end of seven years’ work in his native country
began to travel, eventually coming to Paris and
making it his home. His works are to be seen in
the Salon each year, and last spring his water-
colours so impressed the President of the Societe
Internationale d’Aquarellistes that he was at once
invited to join that society. De Buyko is a
versatile artist, and possesses in a high degree that
feeling for colour which is so marked a charac-
teristic of the Slav race, besides being an excellent
draughtsman. M. M.
M. Taquoy, who is an expert in all matters
appertaining to sport and hunting, held recently
a most interesting show of his work at Blot’s. He
revives a class of art which the English engravers
of the nineteenth century carried to a very high
degree of excellence. In his very personal manner
the artist initiates us into the mysteries of the
multifarious life of the woods and forests. The
deer, the hounds, the horses, in a word all the