DOI Heft:
No. 227 (February 1912)
DOI Artikel:Studio-talk
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.21156#0087
Studio-Talk
He has also a fine eye for the decora-
tive moment. This was apparent in
The Old Doorway, whose stone-grey
tones just emerge as it were from a
foreground of heavy foliage, and in
his Old Mill, in which the solemn
shades of an ancient sycamore serve
as a curtain for the hoary mill. Adoll
Schwarz and Max Suppantschitsch
both exhibited capable work.
Some good graphic work was shown
by Oskar Stossl, Ferdinand Gold,
Emma Hrnczyrz, Karl Fischer-Koy-
stand, Fritz Schonpflug, Fritz Gareis,
Emil Singer, and Hermann Berg-
meister. In the sculpture section
Stanislaus von Lewandowski exhibited
a model for a monument to the late
Statthalter of Galicia, Count Andreas
Potocki, who met with a tragic death
PORTRAIT OF MR. WOGHAN LEE
BY N. SCHATTENSTEIN
(Kunstlerhaus, Vienna)
language which he relates with a
finely poised brush. Johann Pentelei-
Molnar sent studies of still life, green
cayenne-pepper plants, simple and
direct in treatment and refined in
colouring, Hugo Darnaut imaginative
dreamy motifs from the Wachau,
Eduard Zetche some charming land-
scapes from other parts of Austria,
Josef Kopf several water-colours of
Dordrecht, and Johann Nep. Geller
market scenes in Cracow, Raab, and
Pressburg. Adolf Kaufmann has a fine
feeling for decorative effect in land-
scape painting. His work is charac-
terised by breadth of treatment,
particularly in the light and shade
effects. Eduard Ameseder’s pictures
are always interesting and his work is
distinguished by value and refined
workmanship. Among the works he
exhibited, On the Italian Riviera is a
notable example of this artist’s method
of treatment. Thomas Leitner’s land-
scapes exhibit a freshness in execution
and keen perceptive power which lend
them great charm. Jehudo Epstein’s
chief merit lies in his broad and effec-
tive manner of handling the brush. “ stefansplatz” (Kunstlerhaus, Vienna) by otto hf.rschel
67
He has also a fine eye for the decora-
tive moment. This was apparent in
The Old Doorway, whose stone-grey
tones just emerge as it were from a
foreground of heavy foliage, and in
his Old Mill, in which the solemn
shades of an ancient sycamore serve
as a curtain for the hoary mill. Adoll
Schwarz and Max Suppantschitsch
both exhibited capable work.
Some good graphic work was shown
by Oskar Stossl, Ferdinand Gold,
Emma Hrnczyrz, Karl Fischer-Koy-
stand, Fritz Schonpflug, Fritz Gareis,
Emil Singer, and Hermann Berg-
meister. In the sculpture section
Stanislaus von Lewandowski exhibited
a model for a monument to the late
Statthalter of Galicia, Count Andreas
Potocki, who met with a tragic death
PORTRAIT OF MR. WOGHAN LEE
BY N. SCHATTENSTEIN
(Kunstlerhaus, Vienna)
language which he relates with a
finely poised brush. Johann Pentelei-
Molnar sent studies of still life, green
cayenne-pepper plants, simple and
direct in treatment and refined in
colouring, Hugo Darnaut imaginative
dreamy motifs from the Wachau,
Eduard Zetche some charming land-
scapes from other parts of Austria,
Josef Kopf several water-colours of
Dordrecht, and Johann Nep. Geller
market scenes in Cracow, Raab, and
Pressburg. Adolf Kaufmann has a fine
feeling for decorative effect in land-
scape painting. His work is charac-
terised by breadth of treatment,
particularly in the light and shade
effects. Eduard Ameseder’s pictures
are always interesting and his work is
distinguished by value and refined
workmanship. Among the works he
exhibited, On the Italian Riviera is a
notable example of this artist’s method
of treatment. Thomas Leitner’s land-
scapes exhibit a freshness in execution
and keen perceptive power which lend
them great charm. Jehudo Epstein’s
chief merit lies in his broad and effec-
tive manner of handling the brush. “ stefansplatz” (Kunstlerhaus, Vienna) by otto hf.rschel
67