Studio: international art (55.1912)

Studio-Talk

and Mr. J. St. Helier Lauder also contributed
effectively to the exhibition.

There have been more interesting exhibitions ot
the Royal Society of Painter-Etchers than that
which has just concluded in Pall Mall. Some of
the prints which deserve reference in a notice of
this show are Richmond Castle, Yorkshire, a dry-
point by Mr. Albany E. Howarth ; A Gateway in
Naples, by Mr. Alick G. Horsnell, A Corner of the
Shipyard, by Mr. H. Sheppard Dale; A Sussex
Castle, by Mr. Malcolm Osborne ; The Bend of the
Stream and The Pine Wood, by The Hon. Walter
James; The Death oj Carnival, by Mr. Frederic
Carter; L’Orage, by M. Francois Simon ; The Cave,
by Mr. W. Lee Hankey ; A Bruges Gateway, by
Mr. Frederick Marriott; The Road to Louvicrs, by
Mr. Herman A. Webster; In the Hen Run, by
Minna Bolingbroke; Saint Ouen, Pont Audejner,
by Mr. Charles J. Watson; Le Moulin dlAfort, by M.

Eug. Bejot; The Parret at Bridgwater, by Mr.
Edward W. Charlton; and A North Country Hall,
by Miss Ethel Stewart. Sir Charles Holroyd’s art
was well represented and there was a loan collection
of some seventeen prints by the late Prof. Alphonse
Legros. Two notable absentees this year were
Sir Alfred East and Mr. Brangwyn.

Mr. Joseph Simpson’s were the most attractive
exhibits at the Pencil Society’s Exhibition at
Paterson’s Gallery, and there were some excellent
works from Sir Charles Holroyd and Messrs. Steven
Spurrier, W. Hatherell, Frank Gillett, and George
Belcher. There are many able draughtsmen in
this country whose allegiance, if secured, would
improve the society’s claim to its title by making
more widely representative exhibitions possible.

At the Walker Gallery Miss S. Isabel Dacre’s
“ Little Pictures of Italy ” made an attractive show,

“RICHMOND CASTI-B, YORKSHIRE” FROM A DRY-POINT BY ALBANY F. HOWARTH, A.R.E.

(Bv permission of Messrs, f. and D. Colnaghi and Obach, and Messrs. Dowdeswel/s)

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