Studio-Talk
“ pulling”
FROM A CHALK AND PASTEL DRAWING BY L. D. I.UARD
have now become part oi years and I doubt if any
other place in the world would yield him those
things in which he delights and which he finds here
to aid him in the expression of his art. He draws
and paints the tragedy of the life of that city’s
working horses with an insight hardly equalled by
those who use the same subjects in France.
In Mr. Luard’s studio in the Boulevard Arago
one will find innumerable sketches and inimitable
“ ON THE TOP OF THE BANK ”
160
FROM A CHALK AND PASTEL DRAWING BY L. D. I.UARD
“ pulling”
FROM A CHALK AND PASTEL DRAWING BY L. D. I.UARD
have now become part oi years and I doubt if any
other place in the world would yield him those
things in which he delights and which he finds here
to aid him in the expression of his art. He draws
and paints the tragedy of the life of that city’s
working horses with an insight hardly equalled by
those who use the same subjects in France.
In Mr. Luard’s studio in the Boulevard Arago
one will find innumerable sketches and inimitable
“ ON THE TOP OF THE BANK ”
160
FROM A CHALK AND PASTEL DRAWING BY L. D. I.UARD