STUDIO-TALK
" SUSANNA AND HER SISTERS "
BY WALTER UFER
(Carnegie Institute, Pittsburgh)
Greaves, associated with Whistler; a
most convincing portrait of Mr. Kenneth
Mathieson, by Sir Arthur Cope; and
a double portrait of the Walker Brothers,
by Mr. George J. Coates. 000
In the position of honour at one end of
the same gallery was M. Lucien Simon's
important canvas Nausicaa a la Fontaine,
a technically great work with fine colour
and good drawing of the nudes, somewhat
academic in conception perhaps, but not
academic in execution. At the other end
was Mr. Anders L. Zorn's portrait of the
late Andrew Carnegie, founder of the
Institute, decorated with emblems of
remembrance. 0000
The attractions facing each other in one
of the side rooms were Mr. Wayman
Adams's group The Conspirators, contain-
ing portraits of Pennell, McLure Hamilton,
and Burns, and Mr. George W. Lambert's
group of Important People (who are M.
Marchand, a coster and girl with babe),
both works extremely clever performances.
33
" SUSANNA AND HER SISTERS "
BY WALTER UFER
(Carnegie Institute, Pittsburgh)
Greaves, associated with Whistler; a
most convincing portrait of Mr. Kenneth
Mathieson, by Sir Arthur Cope; and
a double portrait of the Walker Brothers,
by Mr. George J. Coates. 000
In the position of honour at one end of
the same gallery was M. Lucien Simon's
important canvas Nausicaa a la Fontaine,
a technically great work with fine colour
and good drawing of the nudes, somewhat
academic in conception perhaps, but not
academic in execution. At the other end
was Mr. Anders L. Zorn's portrait of the
late Andrew Carnegie, founder of the
Institute, decorated with emblems of
remembrance. 0000
The attractions facing each other in one
of the side rooms were Mr. Wayman
Adams's group The Conspirators, contain-
ing portraits of Pennell, McLure Hamilton,
and Burns, and Mr. George W. Lambert's
group of Important People (who are M.
Marchand, a coster and girl with babe),
both works extremely clever performances.
33