DOI issue:
No. 389 (August 1925)
DOI article:[Studio-talk]
DOI Page / Citation link:https://doi.org/10.11588/diglit.21403#0133
BERLIN
"1
■MRS
'REST. BY
KARL ZIEGLER
A good deal of sympathetic talent is
displayed in the exhibition which the
Berliner Kiinstler Verein has opened
under the name of " Berliner Kunst " in
the German Opera House. Although
this separatism is bare of characteristic
features, one can understand the attempt
to augment possibilities of sale. A good
many of these exhibitors have at the same
time presented themselves in the Grosse
Berliner Kunstausstellung. Some pre-
dominant contributions came from Alfred
Birkle, who develops quite a new visionary
and yet realistic style of city views. Feyer-
abend stood again in front with pasturing
cattle. Baluschek with grimly socialistic
genres and Eichhorst with pleasant render-
ing of village scenery with geese. Robert E.
Stiibner again strikes by exuberant society
scenes, and Dettmann by soundly handled
but rather stormy brushwork. It gave
pleasure to study Bruno Breil's reliability
127
"1
■MRS
'REST. BY
KARL ZIEGLER
A good deal of sympathetic talent is
displayed in the exhibition which the
Berliner Kiinstler Verein has opened
under the name of " Berliner Kunst " in
the German Opera House. Although
this separatism is bare of characteristic
features, one can understand the attempt
to augment possibilities of sale. A good
many of these exhibitors have at the same
time presented themselves in the Grosse
Berliner Kunstausstellung. Some pre-
dominant contributions came from Alfred
Birkle, who develops quite a new visionary
and yet realistic style of city views. Feyer-
abend stood again in front with pasturing
cattle. Baluschek with grimly socialistic
genres and Eichhorst with pleasant render-
ing of village scenery with geese. Robert E.
Stiibner again strikes by exuberant society
scenes, and Dettmann by soundly handled
but rather stormy brushwork. It gave
pleasure to study Bruno Breil's reliability
127