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Twining, Louisa
Symbols and emblems of early and mediaeval Christian art — London: Longman, Brown, Green and Longmans, 1852

DOI Kapitel:
Plate 1-XCIII
DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.62036#0218
Überblick
Faksimile
0.5
1 cm
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102

PLATE L.
THE FOUR EVANGELISTS.
Fig. 1. As the Vision of Ezekiel furnished the types for the Evangelistic Symbols, they are more
' or less literally represented according to his description of them; in this instance,
from a Syraic MS. of the 6th century, they are combined with the wheels and flames
of fire, and the “ wings full of eyes,” described by the Prophet. (8.)
2. The next two forms are known as the Tetramorph, a figure which combined the four
heads with the wings and fiery wheels, described by Ezekiel, into an angelic form.
From an enamel of the 12th century. (9.)
3. The same figure, the six wings denoting extreme swiftness, the wheels also being winged.
From a Byzantine Mosaic of the 13th century. (15.)
 
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