CONTENTS.
CHAPTER I.
The Preparation for Reform in Art.
PAGE
Constable prophecies the Decay of English Art—The
New Impulse from Italy—The English Renaissance of
1850—Rossetti and the Specialistic Temperament-
Classicism of the Eighteenth Century—Influence of the
French Revolution—Revival of Romance—Contrast
between Mediaeval and Modern Romance—Pessimism
in Pre-Raphaelite Painting—Nature as a Background-
Moral Significance of the Change. 1
CHAPTER II.
The Renaissance of the Nineteenth Century.
Childhood of Rossetti—Religious and Literary In-
fluences—Art Training—Conflict between Imagination
and Technique—Friendship with Millais and Holman
Hunt—The Westminster Hall Competitions—Ford
Madox Brown — Influence of Ruskin’s “Modern
Painters”—The Early Italian Masters—The Renais-
sance in Mediaeval Europe—Relation of Paganism to
Christianity—Revival of Hellenism, and blending of
Classic with Romantic Art—Growth of Technique and
Return to Convention—The Rule of the Raphaelesque 18
CHAPTER I.
The Preparation for Reform in Art.
PAGE
Constable prophecies the Decay of English Art—The
New Impulse from Italy—The English Renaissance of
1850—Rossetti and the Specialistic Temperament-
Classicism of the Eighteenth Century—Influence of the
French Revolution—Revival of Romance—Contrast
between Mediaeval and Modern Romance—Pessimism
in Pre-Raphaelite Painting—Nature as a Background-
Moral Significance of the Change. 1
CHAPTER II.
The Renaissance of the Nineteenth Century.
Childhood of Rossetti—Religious and Literary In-
fluences—Art Training—Conflict between Imagination
and Technique—Friendship with Millais and Holman
Hunt—The Westminster Hall Competitions—Ford
Madox Brown — Influence of Ruskin’s “Modern
Painters”—The Early Italian Masters—The Renais-
sance in Mediaeval Europe—Relation of Paganism to
Christianity—Revival of Hellenism, and blending of
Classic with Romantic Art—Growth of Technique and
Return to Convention—The Rule of the Raphaelesque 18