Wood, Esther; Rossetti, Dante Gabriel [Ill.]: Dante Rossetti and the pre-Raphaelite movement (London: Sampson Low, Marston, 1894)

318

DANTE ROSSETTI

Meredith, Mr. George, 164-
166.
11 Merlin Lured into the Pit,”
143-
Michaelangelo, 45, 49, 121,
132, 165, 261, 275.
“Michael Scott’s Wooing,”
106, 180, 224-226.
Millais, Sir John Everett, 28-
31, 61, 63, 65, 74-78, 86-
87, 92, TOO, IO9, Il8-I2O,
136-139, 146-148; change
of style, 122-124, 133; some
characteristics of, 6, 15, 17,
65, 86, 106, 113, 120, 137,
201, 206-208; on colour,
88-89 ; portrait of, 109.
“Mirror of Venus, The,” 129.
“ Mnemosyne, or the Lamp
of Memory,” 91, 175, 180.
Models, 64-67, 79-80, 100-
103, 105, no, 126-127, I45;
154, 167, 186, 214.
“ Modern Painters,” 36-39, 83.
“ Monna Pomona,” 160.
“ Monna Rosa,” 117-163.
“ Monna Vanna,” 157.
Monro, Alexander, 105, 142-
143-
“Morning Music,” 105.
Morris, William, 140-145, 165,
168, 172, 178, 274-275.
Morris, Mrs. William, 145,
168, 186.
Morris, Miss May, 168.

Morten, Thomas, 129.
Mount Temple, Lord and
Lady, 161, 168, 175, 185.
Moxon’s “Tennyson,” 137.
Murillo, 132.
Museum, South Kensington,
102.
Myers, Mr. T. W. H., 7, 273.
National Gallery, The, 79,
T59-
“Nativity, The,” 205.
Nature as a Background, 15-
16.
“Nature’s Mirror,” 129.
“New Day, The,” 179.
Nicholson, P. W., 200.
“ Nimue Brings Sir Peleus,”
143-
“ Nineveh,” 140.
“ Old Churchyard, The,” 129.
“Ophelia,” 4, 121-122, 147,
227, 229.
Orchard, John, 73.
“ Order of Release, The,” 121,
147.
“ Oriana,” 138.
“ Orlando and Adam,” 106.
“ Our Lady of Good Children,”
34, 155-
“Our Lady of Pity,” 181, 224,
256-258.
Outlines, Rossetti’s, 24.
I Overbeck, 134.