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40 history OF ART". [lECT. IV

had we delineations of the animal intended, we should
be under no such embarassing perplexity.

This is of more importance than may seem at first
sight; and it is of importance, especially, in our
commercial nation, which imports such a vast va-
riety of articles from all quarters of the globe. To
general readers, a representation of the tea-tree is
pleasing, because the plant probably yields their
beverage ; but ro the merchant who deals in the com-
modity, it is more than pleasant; it is interesting.
Plants that yield medicine are with great propriety
studied and examined by the faculty, and by all
lovers of natural knowledge : but as the plants them-
selves are, often, not to be procured, the best pos-
sible substitute is furnished bv the imitative Arts.
The same may be said of natural history in general;
it may be inconvenient to keep elephants, lions,
tigers, crocodiles, whales, and sharks: I say, though
we desire a knowledge of these creatures, it may not
suit us to keep them, but, by means of Design, we
may easily acquire no despicable portion of acquaint-
ance with their forms, sizes, proportions, natures,
and manners. We mav know so much of them as
may be of use for us to know ; and that, at an ex-
pence so trifling as to suit everv purse. If Man be
the noblest subject of study, the Arts assist us in
the Study of Alan : if nature at large be our study,
they assist us in the study of nature ; nay, in fact,
nature cannot be efieetivclv studied without them.

By means of the Arts the productions of nature,
or of art, in every part of the globe, become fami-
liar to usj we contemplate, without danger, the

Groenlander
 
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