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The Artist's Repository, Or, Encyclopedia of the Fine Arts (Band 1): The Human Figure — London, 1808

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https://doi.org/10.11588/diglit.18825#0281
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192 proportions op THE figure* [lEC. viii-

to shew part of the white above the iris, but they
cannot be raised so as to discover the white beneath.

III. The eye-brows of animals never meet,
and are always depressed at their extremities; while
those of man approach each other, and elevate them-
selves next the nose.

IV. The nostrils of animals hardly deserve the
name of a nose, being little more than slits whereby
they breathe and smell 5 they are not prominent, like
the nose in a human countenance.

Speech is not indeed an external sign, yet speech
may greatly contribute to a decision in our favor ;
especially, since dissection has proved, that in those
parts of the throat which should assist in the forma-
tion of sounds, animals whose forms approach the
human (anthropomorphous) have a certain orifice, or
slit, which, by dividing the passage of the air, pre-
vents articulate expression, by restraining the voice
to a mere whistle.

It must be owned, some birds articulate very di-
stinctly, but 1. This is not the effect of nature, but
of education : 1. They rarely have any conception
of the meaning of what they repeat, unless it refer to-
bodily wants, such as food, &c. . 3. Birds are, in their
forms, so unlike mankind, that their instances have
no consequences : had animals possessed the same
imitative powers, it might have been embarrassing,
perhaps, but we know of no animal capable of speech;
or of any exercise of the powers of reason ; though
some things related of the elephant, and indeed of
some other animals, are truly surprizing.

That
 
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