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The Artist's Repository, Or, Encyclopedia of the Fine Arts (Band 2): Perspective, Architecture — London, 1808

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https://doi.org/10.11588/diglit.18826#0304
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J,ECT. II.]

75

PLATE XXVIII.

intercolumniations.

SHEWS the various distances of the intercolumni-
ations, and their-names,-as given by the ancients:
These examples shew at the same time the manner
of representing plans of columns,, with their base?
and pedestals. The general effects of these various
distances may easily be imagined. -

The Pycnostyle intercoiumniations are di*
stant from column to column, one diameter and a
half of the column, measured at bottom. This is
the nearest approach of columns to each other,
except when they are coupled; in which case, the
bases of the two columns may almost touch each
other.

In the Systyle intercolumniation the space be-
tween the columns is two diameters.

In the Di a style three diameters.

In the Ar eost y l e four diameters.

The Eustyle is two diameters and a quarter,
and was by the ancients reckoned the most perfect;
as being a happy medium between the thronged
Pycnostyle and the scattered Areostyle; and as per-
mitting also' sufficient fpace for perfons who had oc-
casion to pafs--between the pillars.

When columns are coupled, as the increase of

, . RraO .j :> fieri\ .' "*5ffy.

strength is proportionally augmented, the couples
may be separated by a wider interval than single
columns, without injuring the general effect. But
four diameters is usually thought quite sufficient.

L2 PLATE
 
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