The artists repository and drawing magazine: exhibiting the principles of the polite arts in their various branches (1.1787)

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become ftraighter as he fucceeded : or if A. was
pufhing an obje£t above him, he would bend in his
efforts, and ftraighten as he accomplilhed his pur-
pofe.

N°.

(XLVII.) C, D, explained, p. 159. 12

(XLVIII.) E, F, explained, p. 159, 165. 12

(XLIX.) G, explained, p. 159. 13

(L.) H, explained, p. 164. 13

Thefe plates refer to Lecture VII. where their
principles are explained.

CHARACTER AND EXPRESSION.

No.

(LI.) Boy and dog, - - 11

(LII.) Character, - = 5

(LIII.) Character, — —* 7

(LIV.) Chara&er, — — 6
(LV.) Charafter, —

(LVI.) From the antique, - 10

(LVII.) From the antique,
(LVI1I.) Affright, — Cain.

Affright,--Moses.

Authority, —Moses.
Reverence. Manoah.
(LTX, LX.) Sancho Pan^a.

Thefe plates exhibit that celebrated character in
four different fituations, (1.) offering combat to his
antagonift the barber, wherein we remark that how
bold foever his fifts may appear, the reft of his fi-
gure preferves a confiderable diftance, wifely plac-
ifig generaljhip in fecuring a retreat j (,2.) his prow-
cfs alarmed at the oracular head ; (3.) laughing at
one of his mafters vagaries; (4.) endeavouring to
maintain the judicial chara&er of the governor of
Barataria.

Thefe plates refer to Lecture VIII.

In