0.5

1 cm

E 184 ]

entablature is divided in eight parts; two to the archi-

trave ; three to the frieze, and three to the cornice.

The architrave projects one-sixth of its height; the

cornice projects one half of the height of the whole

entablature.

N. B. The projections of the members of the orders

is always reckoned from a line supposed to be eredted in

the center of the column.

In drawing the Ionic order, divide the original line

into five parts ; one-fisth is the pedestal: the remainder

divided into six parts ; one-sixth is the height of the

entablature. The column being divided into nine parts,

one-ninth is the diameter ; the base and capital are each

one-half diameter in height. The column diminishes

one-sixth ; the capital projedls one-half of the semi-

diameter os the column ; the projection of the base is

one-third of the semi-diameter. The entablature is

divided into five parts ; one part and half to the archi-

trave; the same to the frieze, and two parts to the

cornice. The architrave projects one-fourth of its

height; the cornice projects equal to its height.

In drawing the Corinthian order, divide the origi-

nal height into five parts; one of which is the pedestal.

Divide the remainder into six parts; five to the column,

one to the entablature. The column divided into ten

parts, one is the diameter ; the height of the capital is

one diameter and a quarter. The other dimensions

agree with the Ionic order.

N. B. The Composite is similar to the Corinthian

in its proportions.

In drawing the Tuscan order, divide the original

height into five parts; one is the pedestal: Divide the

remainder

entablature is divided in eight parts; two to the archi-

trave ; three to the frieze, and three to the cornice.

The architrave projects one-sixth of its height; the

cornice projects one half of the height of the whole

entablature.

N. B. The projections of the members of the orders

is always reckoned from a line supposed to be eredted in

the center of the column.

In drawing the Ionic order, divide the original line

into five parts ; one-fisth is the pedestal: the remainder

divided into six parts ; one-sixth is the height of the

entablature. The column being divided into nine parts,

one-ninth is the diameter ; the base and capital are each

one-half diameter in height. The column diminishes

one-sixth ; the capital projedls one-half of the semi-

diameter os the column ; the projection of the base is

one-third of the semi-diameter. The entablature is

divided into five parts ; one part and half to the archi-

trave; the same to the frieze, and two parts to the

cornice. The architrave projects one-fourth of its

height; the cornice projects equal to its height.

In drawing the Corinthian order, divide the origi-

nal height into five parts; one of which is the pedestal.

Divide the remainder into six parts; five to the column,

one to the entablature. The column divided into ten

parts, one is the diameter ; the height of the capital is

one diameter and a quarter. The other dimensions

agree with the Ionic order.

N. B. The Composite is similar to the Corinthian

in its proportions.

In drawing the Tuscan order, divide the original

height into five parts; one is the pedestal: Divide the

remainder