Instytut Historii Sztuki <Posen> [Editor]
Artium Quaestiones — 14.2003

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„HOMOSEKSUALIZM”, STUDIA GEJOWSKO-LESBIJSKIE I TEORIA QUEER W HISTORII SZTUKI

309

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Benhabib Seyla, 1992, Situating the Self: Gender, Community, and Postmodernism in Con-
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Bergman David, ed. 1993, Camp Grounds: Style and Homosexuality, University of Massa-
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Bersani Leo, 1995, Homos, Harvard University Press, Cambridge
Bloch Iwan, 1902, Beitrdge zur Aetiologie der Psychopathia sexualis, cz. 1, H. R. Dohrn,
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Boettiger Carl August, 1800, Griechische Vasengemalde, t. 1, cz. 3, Magdeburg
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Brettell Richard R. i McCullagh Susanne Folds, 1984, Degas in the Art Institute of Chica-
go, Abrams, New York
Broude Norma, 1988, Edgar Degas and French feminism, ca. 1880: „The Young Spartans”,
the brothel monotypes, and the bathers reuisited, „Art Bullettin” LXX, s. 64-79
Bryson Norman, 1994, Gericault and „masculinity”, (w:) idem, Keith Moxey, Michael
Ann Holly, eds., Visual Culture: Images and Interpretations, Wesleyan University
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Burnell Devin, 1969, Degas and his „Young Spartans Exercising”, „Art Institute of Chicago
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Butler Judith, 1987, Subjects of Desire: Heglian Reflections in Twentieth-Century France,
Columbia University Press, New York
Butters Ronald R., Clum John M., Moon Michael, eds. 1989, Displacing Homophobia: Gay
Małe Perspectioes in Literaturę and Culture, Duke University Press, Durham, N. C.
Camille Michael, 1994, The abject gazę and the homosexual body: Flandrin’s „Figurę d’Etu-
de”, [w:] Whitney Davis ed., Gay and Lesbian Studies in Art History, Haworth Press,
Binghamton, N. Y., s. 161-188, (= „Journal of Homosexuality” 27, 1/2)
Chadwick Whitney, 1990, Women, Art and Society, Thames and Hudson, London
Champa Kermit, 1974, Charlie was like that, „Artforum” 12 (March), s. 54-59
Cooper Emmanuel, 1994, The Sexual Perspectioe: Homosexuality and Art in the Last 100
Years in the West, wyd. II, Routledge, London
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bridge 1989, Mourning and militance, „October” 51, s. 3-18
Crow Thomas, 1995, Emulation: Making Artists for Reuolutionary France, Yale University
Press, New Haven
Davis Whitney, 1992, HomoVision: A reading ofFreud’s „Fetishism”, „Genders” 15, s. 81-118
-, 1993, Homooisibility: Małe Homosexual Desire in the Visual Field, 1750-1920, The Tomas
Harris Lectures in the History of Art, University College London, May.
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-, 1955a, Drawing the Dream of the Woloes: Homosexuality, Interpretation, and Freud’s
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—, 1995b, Leonardo und die Kultur der Homosexualitat, „Texte zur Kunst” 5, 17, s. 56-73
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