Instytut Historii Sztuki <Posen> [Hrsg.]: Artium Quaestiones (14.2003)

„HOMOSEKSUALIZM”, STUDIA GEJOWSKO-LESBIJSKIE I TEORIA QUEER W HISTORII SZTUKI

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Armstrong Carol, 1992, Odd Man Out: Readings ofthe Work and Reputation of Edgar De-
gas, University of Chicago Press, Chicago
Barkan Leonard, 1991, Transuming Passion: Ganymede and the Erotics of Humanism,
Stanford University Press, Stanford
Benhabib Seyla, 1992, Situating the Self: Gender, Community, and Postmodernism in Con-
temporary Ethics, Routledge, New York
Bergman David, ed. 1993, Camp Grounds: Style and Homosexuality, University of Massa-
chusetts Press, Amherst
Bersani Leo, 1995, Homos, Harvard University Press, Cambridge
Bloch Iwan, 1902, Beitrdge zur Aetiologie der Psychopathia sexualis, cz. 1, H. R. Dohrn,
Drezno
Boettiger Carl August, 1800, Griechische Vasengemalde, t. 1, cz. 3, Magdeburg
Boggs Jean Sutherland, Druick Douglas W., Loyette Henri, Pantazzi Michael, Tinterow
Gary, 1988, Degas, Metropolitan Museum of Art, New York
Brettell Richard R. i McCullagh Susanne Folds, 1984, Degas in the Art Institute of Chica-
go, Abrams, New York
Broude Norma, 1988, Edgar Degas and French feminism, ca. 1880: „The Young Spartans”,
the brothel monotypes, and the bathers reuisited, „Art Bullettin” LXX, s. 64-79
Bryson Norman, 1994, Gericault and „masculinity”, (w:) idem, Keith Moxey, Michael
Ann Holly, eds., Visual Culture: Images and Interpretations, Wesleyan University
Press/University Press of New England, Hannover, N. H., s. 228-259
Bullough Vernon L., Dorr Legg W., Elcano Barrett W., Kepner James, 1976, An Annotated
Bibliography of Homosexuality, t. 1-2, Garland, New York
Burnell Devin, 1969, Degas and his „Young Spartans Exercising”, „Art Institute of Chicago
Museum Studies” IV, s. 49-65
Butler Judith, 1987, Subjects of Desire: Heglian Reflections in Twentieth-Century France,
Columbia University Press, New York
Butters Ronald R., Clum John M., Moon Michael, eds. 1989, Displacing Homophobia: Gay
Małe Perspectioes in Literaturę and Culture, Duke University Press, Durham, N. C.
Camille Michael, 1994, The abject gazę and the homosexual body: Flandrin’s „Figurę d’Etu-
de”, [w:] Whitney Davis ed., Gay and Lesbian Studies in Art History, Haworth Press,
Binghamton, N. Y., s. 161-188, (= „Journal of Homosexuality” 27, 1/2)
Chadwick Whitney, 1990, Women, Art and Society, Thames and Hudson, London
Champa Kermit, 1974, Charlie was like that, „Artforum” 12 (March), s. 54-59
Cooper Emmanuel, 1994, The Sexual Perspectioe: Homosexuality and Art in the Last 100
Years in the West, wyd. II, Routledge, London
Crimp Douglas, ed. 1988, AIDS: Cultural Analysis, Cultural Actioism, MIT Press, Cam-
bridge 1989, Mourning and militance, „October” 51, s. 3-18
Crow Thomas, 1995, Emulation: Making Artists for Reuolutionary France, Yale University
Press, New Haven
Davis Whitney, 1992, HomoVision: A reading ofFreud’s „Fetishism”, „Genders” 15, s. 81-118
-, 1993, Homooisibility: Małe Homosexual Desire in the Visual Field, 1750-1920, The Tomas
Harris Lectures in the History of Art, University College London, May.
-, 1994, The renunciation of reaction in Girodefs „Sleep of Endymion”, [w:] Norman Bryson,
Keith Moxey, Michael Ann Holly, eds., Visual Culture: Images and Interpretations, Wes-
leyan University Press/University Press of New England, Hannover, N. H., s. 168-201
-, ed. 1994, Gay and Lesbian Studies in Art History, Haworth Press, Binghamton, N. Y.,
s. 161-188, (= „Journal of Homosexuality” 27, 1/2)
-, 1955a, Drawing the Dream of the Woloes: Homosexuality, Interpretation, and Freud’s
„Wolf Man”, Indiana University Press, Bloomington
—, 1995b, Leonardo und die Kultur der Homosexualitat, „Texte zur Kunst” 5, 17, s. 56-73
-, 1996a, Winckelmanns homosexual teleologies, (w:) Natalie Boymel Kampen, ed., Sexuality
in Ancient Art, Cambridge University Press, Cambridge, s. 262-276