DOI Artikel:
Wheeler, James Rignall: The Theatre of Dionysus
DOI Seite / Zitierlink: https://doi.org/10.11588/diglit.8560#0190
THE THEATRE OF DIONYSUS.
lich der Artemis als Eukleia, weil unter Artemis Schutze (p. 212) die
Schlacht geschlagen war, spaterhin mag Eukleia eine besondere
Gottheit geworden sein. V., p. 54; C. I. G. 258; see, further,
W.,S.A., p. 273.
No. 33. ■—'lepew; I Aiovvcrov | MeA,7royu.ez>ou | etc reyyeiToov.
C. I. A. 27S : V. 18. Date : Age of Hadrian, possibly later.
The seat of the Priest of Dionysus the Singer, chosen from the
In respect to Aiovvo-os MtA-n-o/xevo?, cf. No. 29. The re^virat were
a guild of actors, who were of the nature of a religious caste because
of the religious character of the Greek Drama. Cf. Rang., Antiq.
Hell., II. 813; Athenaeus, V. p. 212 d; C. I. G. 349; M., Heor.,
p. 266 ; Die Dionysischen Kunstler, von Otto Liiders.
No. 34.—'lepews 'AttgWcovo? TIaTp[p~\o[v~\.
C. I. A. 279 : V. 19. Date : Not before Hadrian.
The seat of the Priest of Apollo Patroos.*
The Pythian Apollo was the Patroos of the city, and there were
two places sacred to him, ■—■ the UvOlov and the AeA^tviov.f
No. 35.—fIe/3eco? I 'Avnvoov | yopelov etc re^veirwv.
C. I. A. 280 : V. 20. Date : Hadrian's Reign.
The seat of the Priest of Antinous, the leader of the dances, chosen
from the Artists.
Hadrian, as is well known, established a cult for the worship of
Antinous after the unlucky youth was drowned in the Nile. Cf. PL,
Gr. u. R., II. p. 345. For the re^viTat, see remarks under No. 33.
* For this surname of Apollo, see Maury, Religions tie la Grhe Antique, II.
p. 3. For a longer discussion, see Welck., Gr. Gotlerl., I. 491 ff.; M., Heor.,
p. 51 ff.; Sch., Gr. Alt., II. p. 548 f.
f See Demosth., Cor., § 141; Aristid. Panath., p. 112 (Jebb); Paus., I. 3, 4.
Mommsen believes the cult to have been of rather late introduction. The inscrip-
tions are all of imperial times. C. I. A., III. 1, 647, 6S7, 707.
lich der Artemis als Eukleia, weil unter Artemis Schutze (p. 212) die
Schlacht geschlagen war, spaterhin mag Eukleia eine besondere
Gottheit geworden sein. V., p. 54; C. I. G. 258; see, further,
W.,S.A., p. 273.
No. 33. ■—'lepew; I Aiovvcrov | MeA,7royu.ez>ou | etc reyyeiToov.
C. I. A. 27S : V. 18. Date : Age of Hadrian, possibly later.
The seat of the Priest of Dionysus the Singer, chosen from the
In respect to Aiovvo-os MtA-n-o/xevo?, cf. No. 29. The re^virat were
a guild of actors, who were of the nature of a religious caste because
of the religious character of the Greek Drama. Cf. Rang., Antiq.
Hell., II. 813; Athenaeus, V. p. 212 d; C. I. G. 349; M., Heor.,
p. 266 ; Die Dionysischen Kunstler, von Otto Liiders.
No. 34.—'lepews 'AttgWcovo? TIaTp[p~\o[v~\.
C. I. A. 279 : V. 19. Date : Not before Hadrian.
The seat of the Priest of Apollo Patroos.*
The Pythian Apollo was the Patroos of the city, and there were
two places sacred to him, ■—■ the UvOlov and the AeA^tviov.f
No. 35.—fIe/3eco? I 'Avnvoov | yopelov etc re^veirwv.
C. I. A. 280 : V. 20. Date : Hadrian's Reign.
The seat of the Priest of Antinous, the leader of the dances, chosen
from the Artists.
Hadrian, as is well known, established a cult for the worship of
Antinous after the unlucky youth was drowned in the Nile. Cf. PL,
Gr. u. R., II. p. 345. For the re^viTat, see remarks under No. 33.
* For this surname of Apollo, see Maury, Religions tie la Grhe Antique, II.
p. 3. For a longer discussion, see Welck., Gr. Gotlerl., I. 491 ff.; M., Heor.,
p. 51 ff.; Sch., Gr. Alt., II. p. 548 f.
f See Demosth., Cor., § 141; Aristid. Panath., p. 112 (Jebb); Paus., I. 3, 4.
Mommsen believes the cult to have been of rather late introduction. The inscrip-
tions are all of imperial times. C. I. A., III. 1, 647, 6S7, 707.