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Barnard, George
The Theory and Practice of Landscape Painting in Water Colours — London, 1855

DOI Seite / Zitierlink: 
https://doi.org/10.11588/diglit.2086#0003
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CONTENTS.

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INTRODUCTION -

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HECTIC

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II.

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III.



IV.



V.

CHAPTEK I.—NATUEE OF COLOUR

PRISMATIC COLOURS.....

PRIMITIVE COLOURS AND THEIR COMPOUNDS
HARMONY AND CONTRASTS OF COLOURS ,-
INDIVIDUAL PERCEPTION OF COLOURS
EXPLANATION OF TECHNICAL TERMS

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CHAPTER II.—MATERIALS.

SECTION I. PLACE OF COLOURS ON THE PALETTE...... 30

II. DESCRIPTION OF PIGMENTS........ 32

PAPER, &c. - - • -....... 38

CHAPTER III.—ON PRACTICE.

SECTION I. HANDLING OF THE BRUSH ^...... .42

II. COMPOSITION • • ....... 41

III. TINTED PAPERS.......... 53

IV. LIGHT AND SHADE......... 57

V. MODE OF WORKING......... 70

VI. SKY, ATMOSPHERE, CLOUDS, &c. • • - " • - - 79

CHAPTER IV.—PRACTICE (Continued).

SECTION I. SKETCHING FROM NATURE

II. TREES ....

III. FOREGROUNDS

IV. BUILDINGS, RUINS, &c. ■
V. ROCKS AND WATER

VI. AERIAL PERSPECTIVE

VII. MOUNTAINS, DISTANCE, &c.

VIII. PICTORIAL PHENOMENA OR "EFFECTS"

IX. RUSTIC FIGURES -

X. CONTRASTS OF COLOUR -

XI. STYLE, MANNER, AND EXECUTION

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