DOI Page / Citation link:
https://doi.org/10.11588/diglit.2086#0206
7
170
INDEX.
Lake, crimsoi*, description of, 36.
Light, how to prevent masses of, from being isolated, 73.
Light and shade defined, 57.
___________,------the study of, assisted by photography, 53 .
..______________best manner of securing, 60.
_______________, time of cay best adapted to first studies
in, 70.
Lines, use of, in directing the attention, 47.
Line, horizontal, position of, 4S.
Lightning-, the appearances of, 145.
Madder, rose* description of, 36.
------------purple, description of, 36.
--------■— brown, description of, 37.
Mannerism described, 173.
Mists, useful in giving distance, 145.
Moon, comparative size of, 148.
---------new, position of, with regard to the sun, 149.
Moonlight, illuminating power of, 148.
---------------tones for, 149.
--------------■ comparative degree of tone in, 149.
Motion in objects to be observed, 154.
Mountains, form of, to be given with decision, 138.
---------------outline to be varied, 139.
--------------first washes for, 139.
Notes, utility of taking, while sketching from nature, 89.
---------examples of taking, 89.
Orange, Mars, description of, 35.
Panoramas, useful as studies, 162.
Paper, what kinds of, best adapted for water-colours, 33.
--------- qualities of, important, 38.
--------- mode of stretching, 40.
---------two different qualities of, used in the same draw-
ing, 40.
Papers, tinted, the use of, 53.
---------tinted, those to be selected, 54.
Perspective, aerial, of great importance, 135.
«-----------------atrial, given by scumbling, 137.
Phenomena, pictorial observations en, 141.
-----------------time to study, 142,
Picture, a, analyzed chromatically, 7,
Pigments, rarely pure colours, 8.
---------------colour of, as seen by different lights, -1.
-----------■— not distinct in nomenclature, 24.
• position on the palette, or box, 30.
— description of the qualities of, 32.
— moist or in cake, both useful, 32.
- in general use, described, 33.
Pink, brown, description of, 37.
Eain, the effect of, useful in varying form, 115.
------ the effect of, to be shown, 143.
Eainbow, description of, 143.
Hays, when visible, 144.
Red, not easily distinguished by some, 24.
------light, description of, 35.
-----■ Venetian, description of, 36.
------ Indian, description of, 36.
lletina, the fatigue of, 103.
Rocks, the character of, 121.
--------. the general colour of different formations, 124.
Ruins, their character to be preserved, 117.
Sails, colours of, 133.
Sepia, description of, 37.
---------most suitable for brush practice, 42.
Shadows, cast, darker than shades, 62.
Shadows, cast, useful in showing the nature of the surface,
69.
________ crossing the picture in. straight parallel lines to
be avoided, 70.
Sienna, raw, description of, 31.
--------- burnt, description of, 35.
Sketching from nature, 85.
._______________objects suitable for first attempts
at, 86.
_______...--------------------qualities requisite for, 87.
_______________---------three principal points to be ob-
served in, 89.
Sketches from nature, how to avoid repeating the same,
89.
Sketching, a list of favourite spots for, 91.
Sky, the, 79.
Spectrum, description of the, 4.
---------------use of the, in examining the colour of pig-
ments, 6.
Snow avalanche, 146.
---------to imitate, 146.
Steam, light on, 144.
Studies from nature in colour should be large, 83.
Style, 171.
Styles, some to be rejected, 172.
Subjects for pictures, caution in the choice of, 03.
Sunset, how to produce the effect of, 77.
Term.*, explanation of those used by artists, 25.
Tint, mode of laying a graduated, 43.
■------mode of laying a flat, 43.
Tints, printed graduated to be rejected, 56.
---------aerial for skies and clouds, 82.
.---------for foliage, 105.
Trees, importance of, in landscape, 95.
--------- method of studying, 95.
■-------- affected by the soil, &c., 96.
---------the branches of, 97.
---------the character to be preserved, 97.
--------studies in chalk useful, 98.
---------local colour to be represented, 93.
---------mode of commencing in water-colours, 93.
---------the foliage of, not to appear black, 99.
---------examples of foliage described, 100.
---------system necessary to draw the foliage, 102.
---------the chequered shade of, 103.
---------stems of beech, described, 106.
Twilight, 147.
Vermilion, description of, 33.
Vignette, description of a, 51.
Water-colour drawing, definition of, 9.
Water-colour, the style of, 171.
Water, the pictorial qualities and appearances of, 12S.
--------- the colour cf objects in, altered, 129.
---------the difference between reflection and shadows in,
important, 12;).
---------the ripples of, 130.
---------mode of commencing, 130.
---------tones of, 131.
---------in motion, system necessary to draw, 131.
Waterfalls, to draw, 133.
Waves, mode of drawing described, 131.
White, oxide of zinc or Chinese, description of, 33.
---------Chinese, how used on tinted paper, 51.
Working, mode of, 70.
YeUow, lemon, description of, 33.
--------•— Indian, description of, 34.
------------ochre, description of, 34.
170
INDEX.
Lake, crimsoi*, description of, 36.
Light, how to prevent masses of, from being isolated, 73.
Light and shade defined, 57.
___________,------the study of, assisted by photography, 53 .
..______________best manner of securing, 60.
_______________, time of cay best adapted to first studies
in, 70.
Lines, use of, in directing the attention, 47.
Line, horizontal, position of, 4S.
Lightning-, the appearances of, 145.
Madder, rose* description of, 36.
------------purple, description of, 36.
--------■— brown, description of, 37.
Mannerism described, 173.
Mists, useful in giving distance, 145.
Moon, comparative size of, 148.
---------new, position of, with regard to the sun, 149.
Moonlight, illuminating power of, 148.
---------------tones for, 149.
--------------■ comparative degree of tone in, 149.
Motion in objects to be observed, 154.
Mountains, form of, to be given with decision, 138.
---------------outline to be varied, 139.
--------------first washes for, 139.
Notes, utility of taking, while sketching from nature, 89.
---------examples of taking, 89.
Orange, Mars, description of, 35.
Panoramas, useful as studies, 162.
Paper, what kinds of, best adapted for water-colours, 33.
--------- qualities of, important, 38.
--------- mode of stretching, 40.
---------two different qualities of, used in the same draw-
ing, 40.
Papers, tinted, the use of, 53.
---------tinted, those to be selected, 54.
Perspective, aerial, of great importance, 135.
«-----------------atrial, given by scumbling, 137.
Phenomena, pictorial observations en, 141.
-----------------time to study, 142,
Picture, a, analyzed chromatically, 7,
Pigments, rarely pure colours, 8.
---------------colour of, as seen by different lights, -1.
-----------■— not distinct in nomenclature, 24.
• position on the palette, or box, 30.
— description of the qualities of, 32.
— moist or in cake, both useful, 32.
- in general use, described, 33.
Pink, brown, description of, 37.
Eain, the effect of, useful in varying form, 115.
------ the effect of, to be shown, 143.
Eainbow, description of, 143.
Hays, when visible, 144.
Red, not easily distinguished by some, 24.
------light, description of, 35.
-----■ Venetian, description of, 36.
------ Indian, description of, 36.
lletina, the fatigue of, 103.
Rocks, the character of, 121.
--------. the general colour of different formations, 124.
Ruins, their character to be preserved, 117.
Sails, colours of, 133.
Sepia, description of, 37.
---------most suitable for brush practice, 42.
Shadows, cast, darker than shades, 62.
Shadows, cast, useful in showing the nature of the surface,
69.
________ crossing the picture in. straight parallel lines to
be avoided, 70.
Sienna, raw, description of, 31.
--------- burnt, description of, 35.
Sketching from nature, 85.
._______________objects suitable for first attempts
at, 86.
_______...--------------------qualities requisite for, 87.
_______________---------three principal points to be ob-
served in, 89.
Sketches from nature, how to avoid repeating the same,
89.
Sketching, a list of favourite spots for, 91.
Sky, the, 79.
Spectrum, description of the, 4.
---------------use of the, in examining the colour of pig-
ments, 6.
Snow avalanche, 146.
---------to imitate, 146.
Steam, light on, 144.
Studies from nature in colour should be large, 83.
Style, 171.
Styles, some to be rejected, 172.
Subjects for pictures, caution in the choice of, 03.
Sunset, how to produce the effect of, 77.
Term.*, explanation of those used by artists, 25.
Tint, mode of laying a graduated, 43.
■------mode of laying a flat, 43.
Tints, printed graduated to be rejected, 56.
---------aerial for skies and clouds, 82.
.---------for foliage, 105.
Trees, importance of, in landscape, 95.
--------- method of studying, 95.
■-------- affected by the soil, &c., 96.
---------the branches of, 97.
---------the character to be preserved, 97.
--------studies in chalk useful, 98.
---------local colour to be represented, 93.
---------mode of commencing in water-colours, 93.
---------the foliage of, not to appear black, 99.
---------examples of foliage described, 100.
---------system necessary to draw the foliage, 102.
---------the chequered shade of, 103.
---------stems of beech, described, 106.
Twilight, 147.
Vermilion, description of, 33.
Vignette, description of a, 51.
Water-colour drawing, definition of, 9.
Water-colour, the style of, 171.
Water, the pictorial qualities and appearances of, 12S.
--------- the colour cf objects in, altered, 129.
---------the difference between reflection and shadows in,
important, 12;).
---------the ripples of, 130.
---------mode of commencing, 130.
---------tones of, 131.
---------in motion, system necessary to draw, 131.
Waterfalls, to draw, 133.
Waves, mode of drawing described, 131.
White, oxide of zinc or Chinese, description of, 33.
---------Chinese, how used on tinted paper, 51.
Working, mode of, 70.
YeUow, lemon, description of, 33.
--------•— Indian, description of, 34.
------------ochre, description of, 34.