444
JOANNA SZCZEPMSKA-TRAMER
the general return to 'primitives', although he
avoided associating himself with the group seeking
through this form of painting the most avantgardist
lesson. As a representative already at that time of
a middle-aged generation, similarly in his painting
as here, he accepted numerous viewpoints essential
to the aesthetics then current, but at a certain moment
he clearly defined the limits he was prepared
to accept, as well as which he as an artist as prepared
to go.
7n27ts7<3te(f by tbe editors'
JOANNA SZCZEPMSKA-TRAMER
the general return to 'primitives', although he
avoided associating himself with the group seeking
through this form of painting the most avantgardist
lesson. As a representative already at that time of
a middle-aged generation, similarly in his painting
as here, he accepted numerous viewpoints essential
to the aesthetics then current, but at a certain moment
he clearly defined the limits he was prepared
to accept, as well as which he as an artist as prepared
to go.
7n27ts7<3te(f by tbe editors'