BULLETIN
OF ART HISTORY
A quarterly published by the INSTITUTE OF ART HISTORY
OF THE POLISH A CADEMY OF SCIENCES (IS-PAN)
in conjunction with the ART HISTORIANS' SOCIETY
YEAR LXXIX 2017 No. 3
Articles
CHRISTIAN HECK, LTdoldtrie de Salomon dans l'art de la fin du Moyen Age : du theme
biblique a la scene de gendre.413
TADEUSZ JURKOWLANIEC, Unbekanntes gotisches Grabmal in Elbing.429
STANISŁAW MOSSAKOWSKI, Henri de Valois au chateau royal du Wawel d Cracovie.443
MICHAŁ KURZEJ, Authorship of the Architecture of St Anne's Church in Cracow versus
Architectural Activity of Baltazar Fontana.455
JOLANTA POLANOWSKA, Mokotów (Upper Part): Maison de Plaisance d Gout Champetre
in a Picturesque Tone.471
MIKOŁAJ GETKA KENIG, 'Entry into Warsaw of Alexander I on 12 November 1815' by
Charles Santoire de Varenne (1817). Beginnings of Warsaw academism and the government
propaganda of the Kingdom of Poland (1815-30).509
KATARZYNA UCHOWICZ, Energy of Colour and Synergy of Arts. House of the Architect
Bohdan Lachert.525
AGNIESZKA SZABŁOWSKA, 'Salon de Refuses ' of the First National Exhibition of Fine
Arts in 1950.567
Reviews
PIOTR SKUBISZEWSKI: Janusz Nowiński, „Ars cisterciensis. Kościół cysterski w średnio-
wieczu - wyposażenie i wystrój" [Ars cisterciensis. A Cistercian Church in the Middle Ages
- Furnishing and Decor], Warszawa 2016.609
MAŁGORZATA DĄBROWSKA: Rafał Quirini-Poplawski, „Sztuka kolonii genueńskich
w Basenie Morza Czarnego (1261-1475). Z badań nad wymianą międzykulturową w sztuce
późnośredniowiecznej" [Art of Genoan Colonies in the Black Sea Basin (1261-1475). From
research into cross-culture exchange in Late Mediaeval Art], Kraków 2017.617
In Memoriam
Piotr Piotrowski as a Theoretical Practitioner -by Magdalena Radomska.625