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Smith, Cecil Harcourt; British Museum <London> [Editor]
Catalogue of the Greek and Etruscan Vases in the British Museum (Band 3): Vases of the finest period — London, 1896

DOI Page / Citation link:
https://doi.org/10.11588/diglit.4761#0088
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KYLIKES.

81

Interior only : Within a thin red circle, a bearded man walks to 1., leading
a leopard which he holds by a cord fastened to a collar around its neck; in
his 1. he carries obliquely across his body a long crutched staff. He wears an
himation leaving the r. arm free, and a fillet with vertical piece over the
forehead. In the field on 1. hang a strigil and sponge together. On the r.
HOPAIJKAVOJ, o 7rat9 icaXos. The feet of the man and animal are separated
from the border by a black line.

E 58. KYLIX. Ht. 4|in. Diam. u-f in. Presented 1883 by Mr. Belt. Described by Braun,

Ann. dell' Inst. 1846, p. 228, as being then in the'collection of James Thomson, of Clitheroe,
and as a " Coppa Vulcente " ; Mon. dell' Inst, iv, pi. 33 ; the interior only in El. Cer. iii, pi. 89,
pp. 230, 255 ; Murray, Designs from Greek Vases, no. 37 ; Roscher, vol. i, pt. 2, p. 2404. Much
broken, part of the r. hand figure in b wanting. Style of Duris (?). Purple is used for the plectrum,
cord of the lyre, the headdresses, and the loops on the hurling rods. Fine brown lines for the
anatomy, the whiskers and the upper folds of Hermes' chiton. Eye of archaic form (disc close
to inner angle).

Interior : Within a circle of running mseander, Hermes, with chelys in 1.
and caduceus raised in r., runs to r., looking back, over waves. He is bearded and
wears a short chiton, chlamys, petasos of archaic form, and winged endromides.
The waves are indicated by a space left red, of which the border is a wavy line.

[This scene was interpreted by Lenormant, loc. at., as the flight of Hermes after stealing
the lyre of Apollo (cf. Homeric Hymn to Hermes, 1. 314) ; see, however, Roscher, loc. cit.~]

Exterior: (a) Athletes. On the 1. two athletes move rapidly to v., the
foremost holding in each hand a rod for the hurling contest, with loop attached
to the centre ; the other holds in each hand a halter (jumping weight). Before
them walks a beardless paidotribes in an himation, carrying in his r. a forked
staff: he looks round at the others. On r. a discobolos moves rapidly to the
1., carrying on his 1. a discos, and raising his r. with a warning gesture. Each
athlete wears a fillet, the paidotribes a wreath.

(J?) Similar scene. Here the athlete on the 1. has halteres, the next one
a discos held forward on his 1. forearm ; the paidotribes carries his forked staff
over his 1. arm, and raises his r. with a warning gesture : the figure on the r.
Wants the head and 1. arm, but holds in his r. a halter, in his 1. a hurling rod
with loop attached. In the centre of the discos is a black, diamond-shaped mark.

E59.

KYLIX. Ht. 3| in. Diam. 8$ in. Nola. Blacas Coll. Murray, Designs from Greek
Vases, no. 38. Broken, but nothing missing : some fragments injured by fire. Later style of
Duris (?). Purple used for headdresses, wreath, flower, and strings of sybene-. Light brown for
skin of hare, and inner markings. Eye of archaic form, disc close to inner angle.

Interior: Within a circle of running maeander, an ephebos moves to r.
looking back, holding in r. a hare by the ears : he wears a fillet and a mantle
which falls at back from 1. shoulder and 1. forearm.

Exterior : (a) An ephebos seated in a chair to r. playing flutes : on either
side, an ephebos listening, leaning on a staff: the one on 1. raises his r. hand
VOL. JII. G
 
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