DOI Seite / Zitierlink:
https://doi.org/10.11588/diglit.4761#0241
234 CATALOGUE OF VASES
E 349. NOLAN AMPHORA. Ht. io£ in. Nola. Blacas Coll. Cab. Durand, no. 726.
Broken; 1. lower part of a and r. lower part of b restored. Drawing rough and care-
less. Purple (now in traces only) fillets, fruit, and cords of aryballos. Below, a continuous
band of three meanders separated by red cross squares ; above each side, a strip of tongue
pattern. Below each handle, an inverted palmette, with tendrils issuing from the lower band.
(a) Two draped ephebi wearing fillets, confronted ; the 1. hand one extends
in his r. hand a thin rod (?) coloured purple, the other leans on a staff. Between
them a square base on which is a fruit (?) ; above it hangs an aryballos with
cords, and above that a strigil.
{b) A draped ephebos, resting r. on staff, confronted by a woman in chiton
and himation, who holds up her r. hand. Both wear a fillet. Between them a
plant springs from the ground. Above hang two rectangular objects (parts of a
taenia ?) ; from one of these three ends hang. All the figures have the mantle
passed over back of head.
E 350. DIOTA.
(Shape nearest to the calpis, p. 12, fig. 4.)
E 350. DIOTA, with small disc-shaped foot. Old No. 808. Ht. 17-J- in. Etruria. Canino Plates XII*
Coll. no. 42. Murray, Handbook of Creek Arch. pi. vii, 2 (a) ; Klein, Lieblingsinschr. p. 69 ; XVIII- \
Jahn, Vasenb. p. 25 ; Heydemann, Satyr. 71. Bakcheim. p. 27 ; C. I. Cr. 7449. Broken ; small
portions of both sides injured. Severe style ; after Duris ? Apparently by the same hand as
E 375. Purple inscriptions, flower in b, stem of ivy wreath, and wine. Drapery in stiff, con-
ventional folds. The female figure in a resembles the figure on the interior of E 51, but the hair
over the forehead is in single wavy ringlets. Eye in the form used by Duris (long and narrow,
with bold curve and dotted pupil). The beard of Dionysos is of the long wedge shape ; the
saccos and the A are also of the form favoured by Duris. The designs curve up over the
shoulder. Below, a continuous band, sets of three maaanders separated by red cross squares ;
round the neck, alternate palmette and honeysuckle between two rows of egg pattern. Below
the handles, a pattern composed of five palmettcs with honeysuckle flowers.
(a) Dionysos and a Nymph. In the centre is an altar in the form of an
Ionic capital on a plinth, with necking of egg pattern ; over this Dionysos on
the r., bearded, with long hair wreathed with ivy, a long sleeved chiton and an
himation, holds out in his r. a cantharos (partly destroyed) from which wine
flows. Beside him is his name, ?0$W01A, Aiovvaos. On the 1. a Nymph,
Nymphsea, in a long sleeved chiton of thick material with apoptygma, earrings,
and an embroidered saccos, pours wine from an oinochoe in her r. into the
cantharos of Dionysos ; with her 1. she lifts the skirt of her chiton. Beside her
is inscribed her name, nvnqaia, Nw^am. Above the centre of the design
HOTAIJ KAVO$, 6 irals koKos.
[The figure of Dionysos is (excepting the head) identical with that of the weman on
r. 0(6.]
E 349. NOLAN AMPHORA. Ht. io£ in. Nola. Blacas Coll. Cab. Durand, no. 726.
Broken; 1. lower part of a and r. lower part of b restored. Drawing rough and care-
less. Purple (now in traces only) fillets, fruit, and cords of aryballos. Below, a continuous
band of three meanders separated by red cross squares ; above each side, a strip of tongue
pattern. Below each handle, an inverted palmette, with tendrils issuing from the lower band.
(a) Two draped ephebi wearing fillets, confronted ; the 1. hand one extends
in his r. hand a thin rod (?) coloured purple, the other leans on a staff. Between
them a square base on which is a fruit (?) ; above it hangs an aryballos with
cords, and above that a strigil.
{b) A draped ephebos, resting r. on staff, confronted by a woman in chiton
and himation, who holds up her r. hand. Both wear a fillet. Between them a
plant springs from the ground. Above hang two rectangular objects (parts of a
taenia ?) ; from one of these three ends hang. All the figures have the mantle
passed over back of head.
E 350. DIOTA.
(Shape nearest to the calpis, p. 12, fig. 4.)
E 350. DIOTA, with small disc-shaped foot. Old No. 808. Ht. 17-J- in. Etruria. Canino Plates XII*
Coll. no. 42. Murray, Handbook of Creek Arch. pi. vii, 2 (a) ; Klein, Lieblingsinschr. p. 69 ; XVIII- \
Jahn, Vasenb. p. 25 ; Heydemann, Satyr. 71. Bakcheim. p. 27 ; C. I. Cr. 7449. Broken ; small
portions of both sides injured. Severe style ; after Duris ? Apparently by the same hand as
E 375. Purple inscriptions, flower in b, stem of ivy wreath, and wine. Drapery in stiff, con-
ventional folds. The female figure in a resembles the figure on the interior of E 51, but the hair
over the forehead is in single wavy ringlets. Eye in the form used by Duris (long and narrow,
with bold curve and dotted pupil). The beard of Dionysos is of the long wedge shape ; the
saccos and the A are also of the form favoured by Duris. The designs curve up over the
shoulder. Below, a continuous band, sets of three maaanders separated by red cross squares ;
round the neck, alternate palmette and honeysuckle between two rows of egg pattern. Below
the handles, a pattern composed of five palmettcs with honeysuckle flowers.
(a) Dionysos and a Nymph. In the centre is an altar in the form of an
Ionic capital on a plinth, with necking of egg pattern ; over this Dionysos on
the r., bearded, with long hair wreathed with ivy, a long sleeved chiton and an
himation, holds out in his r. a cantharos (partly destroyed) from which wine
flows. Beside him is his name, ?0$W01A, Aiovvaos. On the 1. a Nymph,
Nymphsea, in a long sleeved chiton of thick material with apoptygma, earrings,
and an embroidered saccos, pours wine from an oinochoe in her r. into the
cantharos of Dionysos ; with her 1. she lifts the skirt of her chiton. Beside her
is inscribed her name, nvnqaia, Nw^am. Above the centre of the design
HOTAIJ KAVO$, 6 irals koKos.
[The figure of Dionysos is (excepting the head) identical with that of the weman on
r. 0(6.]