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Smith, Cecil Harcourt; British Museum <London> [Hrsg.]
Catalogue of the Greek and Etruscan Vases in the British Museum (Band 3): Vases of the finest period — London, 1896

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https://doi.org/10.11588/diglit.4761#0216
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AMPIIOR.K 209

E 282. AMPHORA. Old No. 810. Ht. 19 in. Vulci. Canine Coll. no. 1002. Kapp. Vole.

p. 153, no. 399; J. H. S. vol. 9, pi. iii, p. 11 ; see Heydemann in Jahrbuch, 1889, p. 260;
Overbeck, Her. Bildw. p. 404, no. 26. Late stage of severe style. Design on both sides of
vase, curves up over the shoulder, and is bordered by a small moulding round the neck.
Purple cross-belt of infant. Brown inner markings, hair of infant, and folds of chiton. Eye in
transition. Nostril indicated. Below each side, a strip of maeander broken by a red cross
square. Below each handle, an inverted palmette with spiral tendrils.

Type of parting of Hector and Andromache with Astyanax. (a)
Warrior, bearded, with long hair, grizzly locks falling beside ears, mantle
hanging from I. arm, helmet tilted back, and a large shield with device of snake
arching to 1. (silhouette), stands to 1., holding spear upright in r. hand.

{[>) A woman in Ionic chiton with apoptygma, mantle, necklace, earrings,
and saccos, stands en face, but with 1. foot turned to r. : she looks to 1., raising in
that direction her r. hand with a beckoning gesture ; on her 1. arm she holds a
nude infant, who sits to 1., but turns to r, and extends both his arms as if towards
the warrior in a ; over his 1. shoulder he wears the usual infant's cross-belt.

E 283.

E 284.

AMPHORA. Old No. 752. Ht. 15} in. Vulci. Durand Coll. no. 229. Later stage of
strong style, becoming careless. Purple fillets in b. Eye in profile. Below each design, a strip
01 m;cander ; above, tongue ; on each side, net pattern, the whole forming a panel.

(a) Nike and a woman. On the 1. Nike, in long sleeved chiton, himation,
and saccos, walks to r., holding up in her r. hand a fluted phialc. She is
preceded by a female figure in a long chiton, closely draped in a mantle which
passes over the back of the head, who looks back and holds in the 1. hand an
alabastron. A fillet is wound twice round the hair, which seems to be long,
though it is hidden at the back.

{/>) A youth walking to i\, looking back, followed by another who holds up
°n his r. hand a cotyle ; each wears a mantle and fillet.

AMPHORA. Old No. 755. Ht. 17I in. Purchased in London, 1846. Gerhard, A. V. iv,
P'- 243, p. 10 (gives the form wrongly as a stamnos) ; Stephani, Nimbus mid Strahlcnkr.
p. 244, fig. 2428 (a) ; Brunn, Kiinstlergesch. ii, p. 730, no. 2 ; Klein, Meistcrsig? p. 199, no. 1 ;
Rcisch, Gr. Weihgesch. p. 68, fig. 3 (cut on r. side of a) ; cf. Kekule", Balustrade, p. 17, and
Winter, Jilng. Alt. Vas. p. 22. On the inside of the lip, about 1 in. from the edge, a raised
moulding about i in. broad, with a slight downward inclination, runs half way round the
circumference, as if for the purpose of preventing liquid from spilling out over side b. Drawing
m late stage of good period. Purple inscription, rays of 1. hand woman in a, sacrificial fillets.
Brown details and folds of chiton on 1. of b. Eye in profile. Below, a band of egg pattern ;
above each side, a strip of ivy wreath, the stems coloured purple (cf. E 263).

(a) Preparations for sacrifice and dedication of tripods. On each side
°f the design is a large tripod with cars (una), supported on a central column,
resting on a plinth, and occupying the entire height of the design. Beside each
tripod stands a bull, facing inwards, while a woman fastens about its horns the
sacrificial fillet (are/j,/Ma). The women wear a Doric chiton with apoptygma ;
the one on the r. has a broad double stripe down the side of her dress, and a
radiated saccos ; the other, who bends forward over the bull's bent head, has a
VOL. III. p
 
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