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Smith, Cecil Harcourt; British Museum <London> [Hrsg.]
Catalogue of the Greek and Etruscan Vases in the British Museum (Band 3): Vases of the finest period — London, 1896

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https://doi.org/10.11588/diglit.4761#0316
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FRAGMENTS OF CRATERS. 309

Brown edge of hair, and marks on shields and dress. Eye in profile. Above, round the lip,
egg pattern. On the r. part of the tongue-pattern encircling the handle is preserved, and
below it the petal of a palmetto ornament.

Two Thracians. On the r. a bearded man in Thracian dress, fox-skin cap (alopeke),
mantle with broad embattled patterns (zeira) and chiton, with crescent-formed shield (pclta
lunata) on 1. arm, holding a spear in his 1., is seated to 1., holding" up his r. hand ; his lips are
parted, and his head thrown back, as if he were singing (?). On the 1. a second Thracian
moves to r., looking back ; he is similarly dressed, and has a similar shield on his 1. arm ; in
his r. he holds two spears. Over the group is inscribed EVAHMOI^ Ev8rj/j,os, which may be
intended for either a koXos or an artist's name.

[Perhaps part of a scene representing Orpheus among the Thracians, cf. E 390. The two
shields, showing the one on r. the ext. view, the other the int. view, illustrate the construction of the
pelta ; the int. has patterns representing wicker-work ; over this a skin is stretched and bound
round the outer edge and drawn taut towards the centre of the hollow of the crescent.]

™ 5093, FRAGMENT of a crater. Ht. 6 in. by 11 in. Gameiros, 1864. Late stage of fine style.

Purple tree, inscriptions, cross-belt, reins, and teeth of boar. The inner markings of the boar's
tusk are in a lighter brown colour. The figure on the r. is in three-quarter back view, even to
the head. Above, laurel-wreath.

Hunt of the Calydonian Boar. In the centre, beside a tree, the boar charges with
uplifted head to 1. against two hunters in chlamys with petasos at back; the foremost has his
weapon (now lost) lowered to receive it; the other, on higher ground, thrusts his spear down-
ward into the boar ; his face is hidden by his r. arm, which is raised for the thrust. On the r.
a third hunter, with chlamys wrapped around his 1. arm, cross-belt, and uplifted spear, thrusts
downwards to r. at the boar. Beside him is inscribed his name, AIAVMOS, Ai'Su/xos (?). On
the r. appear the nose and foreleg of a horse galloping up, and the spear, probably of its rider.

On the 1. of the tree is inscribed V,., ,, perhaps a careless rendering of 17 irals KaXrj.

KAv H

E 5094. FRAGMENT of a crater. Ht. 4! in. by $% in. Gela. Dennis, 1863. Large style. Purple

fillet and cord of petasos. Fine brown inner markings, edge of hair, and hair on forehead of
Minotaur. Eye in profile. The short curly hair of Theseus is indicated by black dots on the
black ground. Above, on the moulding, part of a palmctte pattern still remains.

Theseus and Minotaur. Theseus in chlamys with petasos at back, and sword in hand,
strides to r., seizing the Minotaur by the horn with his 1. ; the animal as it moves to r. turns
round with its body en face, and tries with its r. to reach the sword of its opponent ; its 1. arm
and the legs of both figures, are wanting. On the 1. is seen the hand of a figure (Ariadne ?)
holding out towards Theseus a circlet with vertical piece attached. On the r. of the Minotaur

A ' c
is part of an inscription, q | &io[yevt]S ?] *t[Xwfos ?J H . .

H

[Cf. the inscription, in three lines,/. H. S. 1894, p. 196.]

E 509,. FRAGMENT of a bell-crater. Late stage of strong style. Eye in transition stage

(dotted circle in half lid) ; edge of hair waved. Above the design, a moulding, on which is
egg pattern ; between this and the lip, black pattern of alternate ivy-leaf and berries.

Part of a symposion. On the 1. a bearded man turns with r. hand raised to look at a
youth who reclines on the same couch behind him, and who places his r. on his companion's
shoulder ; each has a mantle around the legs and a woollen fillet.

E 509e. FRAGMENT of a crater. Ht. 6i- in. by 9 in. Cameiros, 1864. Late stage of fine

style. Below the design, on the moulding, a pattern of red cross squares, separated by
single ma-anders.
 
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