3. The Adoration of the Magi, Golognc, Private Collection (after H. Wilm, Gotische Tonplastil
in Deutschland, Augsburg, 1929)
A distinct composition of the scenę of the Natirity patterned after several engravings of Master
E.S. is known from the seven reliefs of mutual similarities, which point to their common
archetyp e:
I. The terracotta reliefs:
1. Nuremberg, Germanisches Museum, 46,5x41 cm34
2. Once in the Bourgeois-Freres Collection33
3. Frankfort, private collection, 31,5x28 cm36
4. Cologne, R. van Schnitzler Collection37
II. The reliefs in papier mache:
5. Berlin, Deutsches Museum, 36,5 X 31 cm38
34. Josephi No 104, p. 56: the beginning of the XVIth century, Westphalia.
35. It appeared at the auction in Cologne 27.X. 1904, Katalog Lempcrtz, Koln Nr 118.
36. G. Swarzenski, O. Schmitt, Meisteruierke der Bildhauerkunst in Frankfurter Priuafbesitz, Bd I, Frankfurt, 1921, No 94.
37. E. Luthgen, ,,Die Sammlung Dr R.v. Schnitzler," Koln. Cicerone, IX, 1917, p. 304, fig. 23.
38. Demmier, Die Bildwerke, op. cii., No 8395; Hessig, op. cit., fig. 31.
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in Deutschland, Augsburg, 1929)
A distinct composition of the scenę of the Natirity patterned after several engravings of Master
E.S. is known from the seven reliefs of mutual similarities, which point to their common
archetyp e:
I. The terracotta reliefs:
1. Nuremberg, Germanisches Museum, 46,5x41 cm34
2. Once in the Bourgeois-Freres Collection33
3. Frankfort, private collection, 31,5x28 cm36
4. Cologne, R. van Schnitzler Collection37
II. The reliefs in papier mache:
5. Berlin, Deutsches Museum, 36,5 X 31 cm38
34. Josephi No 104, p. 56: the beginning of the XVIth century, Westphalia.
35. It appeared at the auction in Cologne 27.X. 1904, Katalog Lempcrtz, Koln Nr 118.
36. G. Swarzenski, O. Schmitt, Meisteruierke der Bildhauerkunst in Frankfurter Priuafbesitz, Bd I, Frankfurt, 1921, No 94.
37. E. Luthgen, ,,Die Sammlung Dr R.v. Schnitzler," Koln. Cicerone, IX, 1917, p. 304, fig. 23.
38. Demmier, Die Bildwerke, op. cii., No 8395; Hessig, op. cit., fig. 31.
74