DOI article:
Sulikowska, Aleksandra: The Old-Believers' Images of God as the Father: Theology and Cult
DOI Page / Citation link: https://doi.org/10.11588/diglit.18949#0117
on these people’s modę of understanding of God’s figurę. One of the chief
obstacles encountered by the scholars analysing these texts are theological
obscurities of popular devotion, especially the fact that God the Father
is often omitted and all features of the Holy Trinity are compressed in Christ.34
5. Resurrection of Christ,
1 2 scenes of the Passion
of Christ
ond 16 Orthodox holidays,
Warsaw,
Muzeum Narodowe
(Phot. Zbigniew Doliński)
brass, cast, 34.3 x 17.1 cm, inv. no. IK 143; Russia end of the 19th century, brass, cast, enamel,
34.3 x 17.3 cm, inv. no. IK 144; Russia end of the 19th century, brass, cast, enamel, 35 x 17.6 cm,
inv. no. IK 145.
34 R. Łużny, ‘“Rzeczy ostateczne’ w optyce twórców rosyjskiego ludowego ‘wiersza duchownego’”,
in Folklor - sacrum - religia, Lublin 1995, p. 141.
115
obstacles encountered by the scholars analysing these texts are theological
obscurities of popular devotion, especially the fact that God the Father
is often omitted and all features of the Holy Trinity are compressed in Christ.34
5. Resurrection of Christ,
1 2 scenes of the Passion
of Christ
ond 16 Orthodox holidays,
Warsaw,
Muzeum Narodowe
(Phot. Zbigniew Doliński)
brass, cast, 34.3 x 17.1 cm, inv. no. IK 143; Russia end of the 19th century, brass, cast, enamel,
34.3 x 17.3 cm, inv. no. IK 144; Russia end of the 19th century, brass, cast, enamel, 35 x 17.6 cm,
inv. no. IK 145.
34 R. Łużny, ‘“Rzeczy ostateczne’ w optyce twórców rosyjskiego ludowego ‘wiersza duchownego’”,
in Folklor - sacrum - religia, Lublin 1995, p. 141.
115