DOI Artikel:
Żakiewicz, Anna: Marek Jaromski's Religious Art in the Collections of the National Museum in Warsaw
DOI Seite / Zitierlink:https://doi.org/10.11588/diglit.18949#0164
5. Marek Jaromski,
WindowV, }W
(Phot. Teresa
Żółtowska-Huszcza)
the fervour of faith. Next, the use of a form of a monstrance as well as
ornaments typical for crosses used in everyday liturgy on the arms of a cross
placed inside. It shows us how through the participation in a religious practice
and being in contact with ecclesiastical ornaments we are in contact with God
and the content of the Holy Bibie.
Crack from the series Purgatory is of the same datę.12 This work consists
of two layers of thick pasted paper forming a vertical title crack, slit in the
shape of a spindle through which we can perhaps see heaven... It is suggested
by the light seen in the slit the inside of which is smooth contrary to the
rough texture of forms being its frame.
12 Inv. no. Dep. 2562.
162
WindowV, }W
(Phot. Teresa
Żółtowska-Huszcza)
the fervour of faith. Next, the use of a form of a monstrance as well as
ornaments typical for crosses used in everyday liturgy on the arms of a cross
placed inside. It shows us how through the participation in a religious practice
and being in contact with ecclesiastical ornaments we are in contact with God
and the content of the Holy Bibie.
Crack from the series Purgatory is of the same datę.12 This work consists
of two layers of thick pasted paper forming a vertical title crack, slit in the
shape of a spindle through which we can perhaps see heaven... It is suggested
by the light seen in the slit the inside of which is smooth contrary to the
rough texture of forms being its frame.
12 Inv. no. Dep. 2562.
162